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Beowulf - Institutionen för arkeologi och antik historia

Beowulf - Institutionen för arkeologi och antik historia

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accessible, elevated and at the same time also vulnerable character of the building is<br />

a better reflection of the original rationale of the hall. This implies that fortification is<br />

part of a development which is not in harmony with the original hall, despite the fact<br />

that from the very beginning the peaceful hall life seems to have been difficult to<br />

maintain. The centre of society must be approachable and the hall owner strong<br />

enough to defend the ideal of the open centre and strong enough not allow us to<br />

enter. From an idealistic, Late Iron Age point of view defended halls are a crisis<br />

phenomenon although in reality smashed halls are common. We may therefore infer<br />

that it was thought better that some halls should be smashed than all halls defended.<br />

The idea that a hall should have a façade can be seen in Wijster and Cowdery’s<br />

Down. In Lejre, however, the notion of the façade has been carried further and the<br />

main entrance and the position of the hall seem to be designed to create a consciousness<br />

about the hall in the mind of the beholder inasmuch as the façade reveals the<br />

design of the hall (Herschend 1994a, Fig. 3). This is a marked step forward towards<br />

the creation of the official building, as is the isolated situation of the hall in Yeavering.<br />

On the whole, however, it must be underlined that the emergence of official architecture<br />

is a late phenomenon. But then again this type of architecture is an indirect way<br />

of promoting the individual, and Germanic society would have been reluctant to<br />

allow that. A splendid interior was probably much easier to justify.<br />

Modesty, lavishness, tradition and change constitute a complex system in which<br />

the links between texts and the archaeological records is now and then relatively<br />

subtle. For a long time we have noted the curious fact in the description in <strong>Beowulf</strong><br />

of the hall Heorot, that the hall was held together with an iron band serving as a hoop:<br />

772 þæt he on hrusan ne feol<br />

fæger foldbold ac he þæs fæste wæs<br />

innan ond utan irenbendum<br />

searoþoncum besmiþod<br />

42<br />

that it did not fall to the ground<br />

the fair building while it was so fast (firmly surrounded)<br />

inside and outside with iron bands<br />

of the smith’s skilful iron work<br />

Although we are given to understand that this fact is some kind of praise it is still an odd<br />

fact. However, with growing knowledge about halls the fact has become understandable<br />

and also significant. To begin with, we must note Michael Thompson’s (1995, pp.<br />

11 f.) observation that Heorot must have been a house with walls constructed mainly of<br />

vertical elements, i.e., elements which had to be prevented from falling out. We may<br />

consider it strange that the Scandinavians, having built houses for thousands of years,

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