Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
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accessible, elevated and at the same time also vulnerable character of the building is<br />
a better reflection of the original rationale of the hall. This implies that fortification is<br />
part of a development which is not in harmony with the original hall, despite the fact<br />
that from the very beginning the peaceful hall life seems to have been difficult to<br />
maintain. The centre of society must be approachable and the hall owner strong<br />
enough to defend the ideal of the open centre and strong enough not allow us to<br />
enter. From an idealistic, Late Iron Age point of view defended halls are a crisis<br />
phenomenon although in reality smashed halls are common. We may therefore infer<br />
that it was thought better that some halls should be smashed than all halls defended.<br />
The idea that a hall should have a façade can be seen in Wijster and Cowdery’s<br />
Down. In Lejre, however, the notion of the façade has been carried further and the<br />
main entrance and the position of the hall seem to be designed to create a consciousness<br />
about the hall in the mind of the beholder inasmuch as the façade reveals the<br />
design of the hall (Herschend 1994a, Fig. 3). This is a marked step forward towards<br />
the creation of the official building, as is the isolated situation of the hall in Yeavering.<br />
On the whole, however, it must be underlined that the emergence of official architecture<br />
is a late phenomenon. But then again this type of architecture is an indirect way<br />
of promoting the individual, and Germanic society would have been reluctant to<br />
allow that. A splendid interior was probably much easier to justify.<br />
Modesty, lavishness, tradition and change constitute a complex system in which<br />
the links between texts and the archaeological records is now and then relatively<br />
subtle. For a long time we have noted the curious fact in the description in <strong>Beowulf</strong><br />
of the hall Heorot, that the hall was held together with an iron band serving as a hoop:<br />
772 þæt he on hrusan ne feol<br />
fæger foldbold ac he þæs fæste wæs<br />
innan ond utan irenbendum<br />
searoþoncum besmiþod<br />
42<br />
that it did not fall to the ground<br />
the fair building while it was so fast (firmly surrounded)<br />
inside and outside with iron bands<br />
of the smith’s skilful iron work<br />
Although we are given to understand that this fact is some kind of praise it is still an odd<br />
fact. However, with growing knowledge about halls the fact has become understandable<br />
and also significant. To begin with, we must note Michael Thompson’s (1995, pp.<br />
11 f.) observation that Heorot must have been a house with walls constructed mainly of<br />
vertical elements, i.e., elements which had to be prevented from falling out. We may<br />
consider it strange that the Scandinavians, having built houses for thousands of years,