Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
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(Herschend 1993). It has also become obvious that one of the roots of the Late Iron<br />
Age leadership originates from a development of the household on these major<br />
farms brought about by adding the hall, which was originally a dwelling room for the<br />
farm owner’s family (Herschend 1993, pp. 195 ff.), to the traditional kitchen dwelling<br />
(Onsten 1993), thus separating those who lived on a farm from each other.<br />
The most central halls are often badly preserved due to their being central and<br />
thus situated in what is still today some of the best arable land, but judging from the<br />
well preserved, albeit slightly peripheral examples, we may venture to say that the<br />
hall as an institution became the interface between the private and the public sphere.<br />
In some cases the expression interface can be understood quite literally inasmuch<br />
as the hall, which was from the beginning singled out, i.e., more or less separated by<br />
a fence (Haarnagel 1979, pp. 319 Beilage 26–28, house 12), or placed within the<br />
fenced courtyard (cf. Stenberger and Klindt-Jensen 1955, pp. 199 ff.; Herschend<br />
1993, Fig. 5), becomes incorporated within the fence surrounding the farm houses<br />
(van Es 1967, plan VII, house XV; Tibblin 1994, pp. 45 ff.). This straightforward or<br />
naïve symbolism was short-lived, but despite its oddity it is a solution to the problem<br />
of how to link the private with the public. Once the hall as an interface, in itself part of<br />
a change in society, had been created, then it was only natural that concepts and<br />
metaphors connected with this room should influence, or try to influence, the ideology<br />
of the whole society. With its background in wealth the hall was bound to become<br />
a social success.<br />
The res publica of the Late Iron Age society with its democratic roots could not<br />
be satisfied solely by the hall (Notelid 1995, p. 420), not least while the affairs of<br />
society were traditionally strongly influenced by the assembly of free men. The free<br />
men as a political body, originally the assembly of warriors (Thompson 1965, pp.<br />
29 ff.), was threatened by the leadership of the hall since in this house the rich entertained<br />
an elite with whom they shared the conviction that they and the elite should<br />
govern the people (Herschend 1992, pp. 150 ff.). In the form of the open air thingassembly<br />
the collective continued to be the counterpart for a very long time, though<br />
with ever-diminishing strength, of the individual chieftain or king and his retinue in the<br />
hall. In some cases, like Yeavering (Hope-Taylor 1977, Phase III A–C), when the<br />
need for a symbolic balance was manifest, we are shown how, along a line between<br />
two graves, the room of the traditional res publica, the amphitheatre, is matched by<br />
the room of the selected, the king’s hall, and vice versa. To the modern eye such a<br />
manifest way of symbolising and pointing out reciprocity is obviously not very convincing.<br />
The connection between the hall and the roots of society as a hierarchy headed by<br />
an individual, the hall owner, was essential. The power of this man may have varied<br />
considerably, but the idea of the individual hall owner reflected a wish to create a<br />
hierarchical social model which could be applied at any level between the international<br />
and the local. The hall owner, whether a local peasant, chieftain or king, was a<br />
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