Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
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Figure 9. A proposed schematic development of the position of the prominent seats in<br />
the house, hásæti or undvegi. The stages (a–d) probably covered some thousand years.<br />
Elevation and thus also centrality can be maintained also with the high settle in an<br />
elevated corner position, but obviously the effect of the elevated short end position,<br />
which, moreover, goes together with the shift in the position of the fireplace and the<br />
addition of doors to secure the seclusion in the upper part of the hall, is much more<br />
effective. The hall in Vallhagar could be used both ways, and that may have been<br />
practical in some situations, but the hall in Lejre is an example of a hall designed to<br />
point out the exclusiveness of the hall or high settle owner.<br />
Discussions on the position of the high settle (cf. Birkeli 1932, pp. 10 ff.; Hauglid<br />
1941; Schramm 1956; Holmqvist 1962; Steinsland 1991, pp. 66 ff.) in terms of<br />
alternatives like either side-aisle or nave, either corner or long side, are not so rewarding.<br />
First of all, the hall is not a substitute for the traditional dwelling, it is an<br />
addition to the living quarters. Secondly, the hall is a search for a new type of dwelling,<br />
a search for a tradition rather than the application of a sharply defined new way<br />
of life. We cannot expect the development of the farmer’s seat to proceed stepwise<br />
from undvegi to hásæti nor expect the high settle to be totally unrelated to an earlier<br />
concept of the seat. The introduction of the high settle in the upper part of the hall is<br />
a matter of splitting the connotation of the concept ‘the hall owner’s seat’ without<br />
introducing a clear differentiation among the denotations. It seems that the hall and<br />
even more so its prominent seat emerge from an egalitarian Iron Age society and like<br />
a vade-mecum the seats and their positions follow the development of the hall owner’s<br />
personal power and preferences matched by his possibilities of displaying them.<br />
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