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Beowulf - Institutionen för arkeologi och antik historia

Beowulf - Institutionen för arkeologi och antik historia

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Six Narratives About the Good<br />

There are six narratives about the good in <strong>Beowulf</strong> (Part I) . The first part itself and<br />

five episodes within it. The inner episodes constitute the underlying current of the<br />

good, and the use of good in the beginning and at the very end puts the inner episodes<br />

into a framework, whereby the whole poem reveals itself as a matter of writing<br />

about the good and what goes with it. This is a comprehensive theme since the good<br />

is the ideal of all the positive characters of the poem. In <strong>Beowulf</strong> good is not restricted<br />

to the battle or combat situations, although the use of force to secure the<br />

good is vital. It therefore expands upon the notion of the word in comparison with<br />

Maldon.<br />

The framework surrounds the good and links it, not just to a responsible way of<br />

living, but to the development of the civilised, i.e., Pagan, human being. Within the<br />

framework the five episodes or narratives are supposed to make it evident why<br />

good is used as it is in the beginning and the end of the poem. The use of good in the<br />

end refers back to the beginning and supplies the poem with a logic related to the<br />

development of a man through his actions.<br />

The first narrative within the framework shows us what happens when good people<br />

meet and how their interaction starts. In this case the meeting is caused by a crisis<br />

for one of the good characters, the Danish King Hroðgar. The four consecutive<br />

episodes depict the growth of the good in, two times two, typical situations.<br />

The first of these is a contract situation in which <strong>Beowulf</strong> agrees and is allowed to<br />

do the good by fighting the monster Grendel in order to free Hroðgar of the problem.<br />

<strong>Beowulf</strong> succeeds. The second narrative, the speech of a woman who tries to obtain<br />

security for her young sons, concerns goodness and peace in the family. The third<br />

narrative is a parallel to the first with the exception that <strong>Beowulf</strong>, having engaged<br />

himself to Hroðgar and received all kinds of gifts and the King’s goodness after<br />

having defeated Grendel, is obliged to fulfil a new engagement to secure the results of<br />

the first. The fourth is a parallel to the second, but it concerns peace, friendship and<br />

reconciliation between two nations rather than within the family.<br />

When Good People Meet<br />

The first episode runs from verse 194 to 389 and good is used eight times. The<br />

words are concentrated in groups (vv. 195, 199, 205; vv. 269, 279; vv. 347, 355<br />

and v. 384) and the general feature that one good rarely comes singly does in other<br />

words apply to this section. The narrative starts by mentioning that <strong>Beowulf</strong> has<br />

heard of the problems that Grendel is causing in Denmark. It goes on to describe<br />

how the hero sets out with his men and how they arrive at Denmark, where, through<br />

negotiation, <strong>Beowulf</strong> is eventually welcomed by Hroðgar. It is the episode in which<br />

the two leading good persons of the poem are brought together. The main purpose is<br />

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