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Beowulf - Institutionen för arkeologi och antik historia

Beowulf - Institutionen för arkeologi och antik historia

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you and perhaps take a liking to you, as Hroðgar did to <strong>Beowulf</strong> and <strong>Beowulf</strong> to<br />

Hroðgar’s sons. As a young man you engage yourself in contracts about the good,<br />

you fight, give food, beer and presents and you keep the peace. As an old and wise,<br />

but vulnerable man, you benefit from the contracts about goodness that you have<br />

initiated or honoured.<br />

Several researchers (cf. Klaeber 1950, note to v. 2178; Lindqvist 1958, p. 118)<br />

have found it strange that the hero of the story should not have been universally<br />

recognised as a splendid man all his life, and if we are expecting a poem about a<br />

hero, it is no doubt a little strange in the very end to be confronted with this feeble<br />

youngster on the meadbench. But, if we see the poem as chiefly concerned with the<br />

people of the hall—those who governed Scandinavian, Anglo-Saxon, Saxon and<br />

Friesian societies during the Late Iron Age, then it is quite natural that social perfection<br />

should have been something that was created in the hall in competition among<br />

those who were brought up and spent most of their lives there. The good is created<br />

in the hall, it forms the link between halls everywhere and eventually it develops into<br />

a model for keeping the peace between people, as well as a model for the use of<br />

force. Goodness is established as a current in the minds of men and when necessary<br />

it comes up to the surface to solve various social problems. It is to be hoped that<br />

modern readers will have difficulties accepting the Pagan ideal of the good, but that<br />

is besides the point, as long as the ideal can be recognised.<br />

We may look upon the development of a man as a spiral tour on which he does<br />

good actions in order to refine himself (Fig. 32). He starts in a hall and proceeds<br />

upwards frequently visiting different halls and eventually he reaches a level or a circuit<br />

where man, good actions and hall balance each other. In fortunate cases, like<br />

<strong>Beowulf</strong>’s, this equilibrium may continue for years on a high level, but it is likely to<br />

break down when we become old and most people will be satisfied with an equilibrium<br />

on a rather low level.<br />

90<br />

Figure 32. The hall and the<br />

course of life for the good<br />

person.

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