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SAIVA-SIDDHANTA

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&quot;<br />

&quot;<br />

&quot;<br />

THE SVETASVATAKA<br />

UPANISHAT.<br />

We are glad to say that Professor Max Muller has cleared<br />

the ground before us, of many misconceptions and fallacies<br />

which were entertained about this Upanishat. He meets in his<br />

own way the arguments adduced to show that this is a modern<br />

Upanishat and that it is a sectarian Upanishat, an Upanishat of<br />

the Sankhya and of Bhakti school and so on, and his conclusions<br />

are that &quot;no real argument has ever been brought forward to<br />

invalidate the tradition which represents<br />

it as belonging to the<br />

Taittirlya or Black Yajur Veda, and he points out that it<br />

holds a very high rank among Upanishats and that its<br />

real drift is the same as the Doctrine of the Vedanta<br />

Philosophy.<br />

Professor Garbe and Macdonnell however, in their recent<br />

works, * speak of this as a Sivite compilation, and the latter<br />

scholar refers to the Upanishat itself ascribing the authorship to<br />

a sage called SvetaSvatara, unlike other Upanishats. But this<br />

is not characteristic of this Upanishat alone. The fifteenth<br />

khan^a of the last Prapathaka of Chhandogya Upanishat also<br />

traces the line of teachers in a similar way and there is a similar<br />

statement in the Mandukya Upanishat and others. When each<br />

Hymn of the Rig Veda has its own author, it cannot be any<br />

surprise that each particular Upanishat should have an<br />

individual author; and we don t<br />

suppose the Professor inclines<br />

to the orthodox view that the Veda and the Upanishats had no<br />

human authors, and were revealed.<br />

*Garbe s<br />

Philosophy of Ancient India (1897)<br />

and Macdoimell s<br />

History of Sanskrit Literature (1900).

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