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SAIVA-SIDDHANTA

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2Q4 THK bAIVA RKLIGION.<br />

St. Arunandi,* St. Marai-Jnana-Sambandar and St. Umapati<br />

Sivacharyar and modern Saivaism may be said to commence<br />

from that time.<br />

We will now begin the study of Modern Saivaism, Its<br />

form of ritualism and philosophy<br />

is determined in the South<br />

by the Agamas or Tantras, 28 in number, from Kamika to<br />

Vatula, called the Dakshina or Right-handed ;<br />

and the differ<br />

ent temples in Southern India follow the rules prescribed in<br />

one Agama or another, though there are still some temples<br />

like the one at Chidambaram where the pure Vedic Rituals f*are<br />

followed. This Agama Philosophy has also been greatly<br />

developed and systematised in Tamil by a line of (<br />

Teachers<br />

beginning with St. Tirumular, J<br />

St. Meykandan,<br />

St. Arunaridi<br />

.Sivachariyar, St. Marai-Jnana-Sambandar and St. Umapati<br />

Sivachariyar. Both in the rituals and in the philosophy,<br />

&quot;the same mantras, forms and words derived from the old<br />

Vedic Times are used. For instance, the temple represents<br />

the old Yajfia sala symbolising the human bod}^. The Siva<br />

Linga,^f (it is due to Svami Vivekanai)da to point out that<br />

this was no Phallic Symbol $ and this view was reiterated by<br />

* The authour of SwajTiana Siddhiyar.<br />

The author of Light of Grace and SivaprakaSam.<br />

f The pujas done in the Chidambaram are according to the paddhati<br />

of Pataiijali ;<br />

who takes the one from Saivagamas and the Mantras from<br />

the Vedas,<br />

J The author of Tivwriantiram.<br />

1[ See the full) subject discussed with all the authorities in Siddha-uta<br />

Dipika Vols. VI and VII .<br />

$ The Svami said that the worship of the Siva Liriga originated<br />

from the famous lingam in the Atharva Veda Sanihita sung in praise of<br />

the Yupastambha, the sacrificial post. In that hymn a description is<br />

found of the beginningless and endless Stambha or skhamba and it is<br />

shown that the said Skhamba is put in place of the eternal Brahman. A; ;.,<br />

afterwards, the sacrificial fire, its smoke, ashes and flames, the somJi plant<br />

and the ox that used to carry on its back the wood for the Vedic sacri<br />

fice, gave place to Siva s body, his yellow-matted hair, his blue throat, and<br />

bull, the Yupastambha gave place to the Siva Lirigam and was raised to

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