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SAIVA-SIDDHANTA

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126 THE SVETASVATAftA UPANISHAT.<br />

petrified in the Godless school of Mimamsa was really broken ;<br />

and it was here that the Agamas stepped in and used the same<br />

old Mantras again but with a new force and significance, deleting<br />

whatever was unmeaning, and preserving only what was use<br />

ful. It substituted also new symbols though preserving the<br />

old names. And from this time, therefore, Modern Hinduism<br />

and Hindu system of worship may be said to have com<br />

menced. But for these beginnings, we have to go far behind<br />

the days of the Mahabharata and the Puranas, for the Agarha<br />

doctrines and rituals are fully bound up with these.<br />

A clear advance in the use of symbols was also made, at the<br />

same time effectually preserving the distinction between symbols<br />

and truth, by the use of proper words. The Sabdha Brahman or<br />

the Pranava was only a symbol and not the truth, as fancied by<br />

the Mlmamsakas, and it was called a mark or Linga. And the<br />

figured mark of the Pranava, (Linga is merely<br />

the Pranava as<br />

figured to the eye) the Linga, became the universal symbol<br />

of God and object of worship, as the Pranava in mantra or<br />

sound form was before. In the new system of worship, the<br />

Temples<br />

that were built were more on the models of the old<br />

yajna-sala and the<br />

; yupa stambha (Dhvaja-stambha) and<br />

Balipitha, Pasu (Basava or Nandi) and the Gods in their<br />

various places were also retained ;<br />

and a Brahmotsava sup<br />

planted virtually the old sacrifice.* In the field of philosophy,<br />

into a whole what<br />

it did as much to systematise and build up<br />

* In commencing and going through a Brahmotsava, the priests<br />

observe technically<br />

almost the same rituals as in commencing and going<br />

through a great sacrifice. There is a Yajna Sala in every Saiva Temple<br />

in which the Fire is started by the Dikshita and the Dhvaja Arohana is<br />

made by running up a flag with the<br />

figure of a bull (Pasu or Basava) on<br />

the Yupastambha and tying Kusa grass to the Post. The Pasu and the<br />

Kusa grass standing merely for the soul or jiva that was bound and<br />

offered in sacrifice. After Avarohana, the soul or Pasu becomes freed<br />

and is no more called Pasu, but is called God or Naridi the blissful. It<br />

will require more space for us to draw out here the parallel<br />

Yajiia Sala and a Hindii Temple.<br />

between the

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