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SAIVA-SIDDHANTA

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296 THE <strong>SAIVA</strong> RELIGION.<br />

j<br />

offer of his self as sacrifice ; and self-sacrifice thus becomes the<br />

centre of Hindu and Saivaite Philosophy, on which the whole<br />

process of salvation depends. This is the Arpana or Sivarpana<br />

referred to in Verse 57, Chap. 18 of Gita.<br />

The philosophy also retains the old language<br />

technical terms. Whereas the newer systems have such techni<br />

for its<br />

cal terms as Chit, Achit, Isvara, Jagat, Jiva, and Para; the<br />

Saiva-Siddhanta technical terms to denote these Padarthas or<br />

categories are Pati (God), Pau (soul), and Pasa (bondage).^<br />

^j In the hymn to the unknown God in the tenth Mandala of the Rig<br />

Veda, God is termed the Pati which means Protector or Saviour coming<br />

from the root Pa, to protect. It strictly corresponds to the English term<br />

Providence. Even the term Isa or Isvara which simply means Ruler,<br />

does not biing out the Inner Narure of the Lord which is Love. Vide<br />

also the Brahma Sutra text *Trmf^T^3T&quot; because of the term Pati and<br />

others :<br />

Pasu, as Srlkantha Yogi explains, involves bondage in Pasa<br />

and Pasa in its root meaning simply means<br />

that which binds &quot;. It means a noose or a cord only in its extended<br />

meaning of imagery. A man bound to a pole by means of cords, his<br />

hands and feet, neck and back being tied to it, can have no liberty<br />

and he is said to undergo pain. Pasa therefore does not simply mean<br />

11<br />

limitation but is limitation which involves pain or pain to the core.<br />

The Agamas explain the noose or a cord held in one of the ten hands<br />

of Sadasiva s form as TT^WTT^Wfi and J?^JW ^7T?T^<br />

&quot;.<br />

In Saivaism the soul is<br />

symbolised as a cattle tied by means of a<br />

rope to a pole. Ihis supposes the existence of a master to it. The \fcyu-<br />

Samhita has .<br />

\<br />

Beings from Brahma to immovable things are termed Pas us. The^ are<br />

the characteristics of all PaSus (i.e.,) that it is bound or tied by means of<br />

ropes that it chews the cud of Sukha and Duhkha (pleasure and pain)<br />

arising out of its own acts, that it forms an instrument (or the Lords to

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