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SAIVA-SIDDHANTA

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342 SRI PARVATAM.<br />

The temple proper<br />

is<br />

surrounded by castellated walls, longest<br />

sides being 1500 feet each, and the shortest being nearly 1000 feet<br />

each and the height<br />

is 21 feet and thickness 4 feet. Nearly the<br />

whole outer face of these walls (fancy such a dimension of 5 ooo x<br />

21 feet) is fully sculptured with the figures of animals, men<br />

and Gods. There are hunting pictures of all kinds, there are<br />

horses and elephants in every pose, Puranic representations of<br />

episodes, Rishis doing tapas in all kinds of postures and there are<br />

;<br />

animals and reptiles in every grotesque form, athletes wrestling<br />

with each other, &c.* These pictures show that the race of men<br />

who cut them were a warlike and manly race. There are three<br />

towers, one of which is the highest, and will compare favourably<br />

with the highest in Southern India.<br />

Passing within, the whole space<br />

is intersected into 3 squares,<br />

one below the other and the sides are rilled with innumerable<br />

mantapams and shrines, the shrines mostly without any images and<br />

in the worst of repairs. There are large number of wells with small<br />

towers or domes above, the only source of supply<br />

to all the<br />

pilgrims who resort to the place. Some one or two of the tanks<br />

altogether dry and filled up more or less.<br />

The central shrine is that of Mallikesvara and is the most<br />

costly structure. The principal Vimanam is covered from top to<br />

bottom with plated gold, unlike any other Temple in Southern<br />

India, and all the images of Nandis and Dakshanamurti placed over<br />

the terrace in the mantapam fronting the Vimana are also similarly<br />

covered with gold. It is reported that of old these images<br />

contained inside untold wealth, and the Rohillas who once plun<br />

dered the whole Temple have left their marks in the mutilated<br />

condition of most of these images. The style of the principal<br />

structures is quite dissimilar to those in Southern India, the Chola<br />

and Pandiyan styles, but there is a remarkable resemblance between<br />

these and the shore temple at Mahamalaipuram (corrupted into<br />

* There is one picture in which two men hold each other by their<br />

legs, stretched at full length, and withal making a regular ball. We<br />

have witnessed many an Indian and European circus performance, but<br />

never saw any such pose before.

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