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SAIVA-SIDDHANTA

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&quot;<br />

144 THE SVETASVATARA UPANISHAT.<br />

mirrors that is, the first law on which this formula is based.<br />

One of the aptest descriptions of a human being<br />

is that he is a<br />

mirror.&quot; And our Upanishat contains fortunately<br />

same description and illustration.<br />

the self<br />

As a metal disk (mirror), tarnished by dust, shines bright<br />

again after it has been cleaned, so is the one incarnate person<br />

satisfied and freed from grief, after he has seen the real (pure)<br />

Nature of himself.&quot; &quot;And when by the real nature of his sejf,<br />

he sees as by a lamp, the real nature of the Brahman, then<br />

having known the unborn eternal God, who transcends all the<br />

tattvas, he is freed from all fetters (pasa), (ii. 14 & 15). The<br />

first text would simply read, in Drummond s language, &quot;see,<br />

reflect and become God.&quot;<br />

It only remains for us now to point<br />

out that the second<br />

verse of the first adhyaya is mistranslated by Roer, Max<br />

Miiller, Mead and others. They<br />

contain terms which are not<br />

known to the systems they are familiar with, and they are alone<br />

preserved in the Siddhanta system. The terms are l Kala?<br />

*<br />

l<br />

3hiita YoniJ Ptirusha, and<br />

SvabhoJ l Niyatii Ichcha,<br />

they are also referred to as { Yonisvabho* &c., in v. 4. and in<br />

vi. i Svabho and Kala.<br />

We stated that the different schools differed in the<br />

enumeration of the tattvas or categories but most of them<br />

stopped with Prakriti or Pradhana and Purusha, the highest<br />

in their list, the 24th and 25th principle (Vide, Sentinathaiyar s<br />

Table of Tattvas, published in Madras 1899), but the Siddhanta<br />

school postulated above this, other tattvas or principles, making<br />

up the whole number into 36. These higher tattvas were,<br />

Ragam (Ichcha) Vidya, Niyati, Kala, Kala, (constituting what<br />

is called the soul s, the purusha s Pancha Kanchukam), Maya,<br />

Suddha Vidya, MahesVara, Sadasiva, Bindhu (or Sakti) r.nd<br />

Nadam (Siva). And the terms used in our text is Kala,<br />

or Ragam, Bhuta or Vidya and<br />

Svabho or Kala, Niyati, Ichcha,<br />

Yoni or Suddha Maya, and Purusha or soul. That our<br />

interpretaticn is genuine we could show by quoting the

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