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Awareness in Buddhist Meditation

A detailed description of awareness in Buddhist Meditation.

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133<br />

This k<strong>in</strong>d of sympathetic joy is therefore very sublime, as there<br />

is hardly any trace of a thought for oneself. Such sympathy with<br />

gladness is not directed by personal feel<strong>in</strong>gs, for there is no emotional<br />

substitution possible. Hence, <strong>in</strong> the absence of envy there is the<br />

absence of ill-will and hate, which forms the natural basis for lov<strong>in</strong>g<br />

k<strong>in</strong>dness. Only when there is love can there be joy; and only <strong>in</strong> the<br />

absence of selfishness can there develop the right relationship which<br />

is the basis for understand<strong>in</strong>g and <strong>in</strong>sight. Appreciation of virtue,<br />

admiration for spiritual atta<strong>in</strong>ment, gladness over moral victory, as<br />

well as rapture <strong>in</strong> the experience of beauty, ecstasy <strong>in</strong> discover<strong>in</strong>g a<br />

truth, no more desire <strong>in</strong> the presence of peace, all are expressions of<br />

this joyful sympathy <strong>in</strong> which there is no feel<strong>in</strong>g and no thought of<br />

achievement <strong>in</strong> oneself.<br />

Thus, sympathy is like a symphony which has all the <strong>in</strong>gredients<br />

for harmony, the soil <strong>in</strong> which conflict cannot grow. The fact of<br />

<strong>in</strong>terdependent condition<strong>in</strong>g <strong>in</strong> the aris<strong>in</strong>g and cessation of all relationship<br />

shows that no event is self-sufficient <strong>in</strong> its cause and <strong>in</strong> its<br />

effect. Thus, be<strong>in</strong>g mutually <strong>in</strong>terdependent and complementary,<br />

there can be no essential conflict with another. Conflict, which is<br />

disharmony, is brought about by a discord <strong>in</strong> sympathetic understand<strong>in</strong>g<br />

of dependent orig<strong>in</strong>ation. As always, it is the ‘I’-element<br />

which disturbs the harmony <strong>in</strong> its opposition, it its urge for cont<strong>in</strong>uance,<br />

destroy<strong>in</strong>g all creative activity.<br />

In symphonic harmony the composer may perhaps <strong>in</strong>troduce an<br />

apparent discord, only to solve it <strong>in</strong> the joy of sympathetic accord.<br />

Such is the challenge <strong>in</strong> life which <strong>in</strong> its challenge may appear disturb<strong>in</strong>g,<br />

and yet provide the opportunity for creative understand<strong>in</strong>g<br />

and a harmonious solution. To achieve that, the discord must be dissolved<br />

by allow<strong>in</strong>g it to play out its force whereby the true harmony<br />

of understand<strong>in</strong>g is established.<br />

This sympathy of love and understand<strong>in</strong>g cannot accommodate<br />

any feel<strong>in</strong>g of conflict or a cont<strong>in</strong>uation of opposition. Then, <strong>in</strong> the<br />

absence of conflict there is the characteristic joy of peace which is

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