Awareness in Buddhist Meditation
A detailed description of awareness in Buddhist Meditation.
A detailed description of awareness in Buddhist Meditation.
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awareness. When consciousness ceases there is no solution of any<br />
problem. There is rather the addition of another problem: What<br />
can the m<strong>in</strong>d do, when thought stops? Just as suicide is no cure<br />
for a head-ache (even though the physical ache ceases), so unconsciousness<br />
cannot provide an answer and a cure for the passions of<br />
love and hate, jealousy and spite, crav<strong>in</strong>g and cl<strong>in</strong>g<strong>in</strong>g, retention<br />
and projection. The senses can be stilled and the responses dulled<br />
under the <strong>in</strong>fluence of drugs and liquor. By exclud<strong>in</strong>g the operat<strong>in</strong>g<br />
m<strong>in</strong>d, man can still cont<strong>in</strong>ue to exist and labour as a mach<strong>in</strong>e, only<br />
to become mentally and physically exhausted. Factories can save on<br />
production costs by employ<strong>in</strong>g sub-standard mach<strong>in</strong>ery. Likewise,<br />
by employ<strong>in</strong>g sub-standard forms of energy through drugs, work will<br />
cont<strong>in</strong>ue, and m<strong>in</strong>d will cont<strong>in</strong>ue its th<strong>in</strong>k<strong>in</strong>g, but at what cost?<br />
Th<strong>in</strong>k<strong>in</strong>g, then, is a mere reproductive act, based on memory<br />
and experiment. There is no creative activity, but only the reproductive<br />
activity of the conveyor-belt. In th<strong>in</strong>k<strong>in</strong>g the m<strong>in</strong>d relies on<br />
memory, and with the ideas thus conceived it projects its ideal <strong>in</strong>to<br />
the future. This th<strong>in</strong>k<strong>in</strong>g must cease. But if the m<strong>in</strong>d applies its<br />
energy to the still<strong>in</strong>g of thought, that effort is still directed towards<br />
the achievement of an ideal: the quiet m<strong>in</strong>d, which aga<strong>in</strong> is an object<br />
for a striv<strong>in</strong>g m<strong>in</strong>d. Thought must stop but it cannot be made<br />
to stop.<br />
The first step is not directed towards a slow<strong>in</strong>g down even, but<br />
to just understand<strong>in</strong>g the process which has become a problem. Any<br />
vision of the process <strong>in</strong>volves an image which is a further thought,<br />
a concept, a memory or an ideal. It is at this po<strong>in</strong>t that <strong>in</strong>hal<strong>in</strong>g<br />
and exhal<strong>in</strong>g of breath provides the answer, for breath itself is<br />
colourless, shapeless, weightless, without taste or smell; it cannot<br />
be seen or stored; it can only be felt <strong>in</strong> pass<strong>in</strong>g, when the breath<br />
passes along the entrance of the nose, be<strong>in</strong>g an <strong>in</strong>halation or an exhalation.<br />
It is not the breath which is felt, but the contact of the<br />
flow of air with the nostrils. Without controll<strong>in</strong>g, without guid<strong>in</strong>g,<br />
without accelerat<strong>in</strong>g, without stopp<strong>in</strong>g, it can be watched <strong>in</strong> a pass-