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Awareness in Buddhist Meditation

A detailed description of awareness in Buddhist Meditation.

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36<br />

covered by the term ‘physical sensation’ (kāya-vedanā). Apart from<br />

physical sensation there is still its mental counterpart, when the<br />

m<strong>in</strong>d as the sixth sense experiences the mental sensation of thought<br />

<strong>in</strong> its many forms of perception, ideation, consciousness, which will<br />

be dealt with hereafter. Thus we shall adhere to the term ‘sensation’,<br />

be<strong>in</strong>g the function of all the senses, whereas ‘feel<strong>in</strong>g’ is taken as the<br />

experience of touch only. Even contact is of as many k<strong>in</strong>ds as there<br />

are senses and sensations. In fact, there must be contact (phassa)<br />

before a sensation (vedanā) can become a perception (saññā), an<br />

idea (saṅkhāra) and a conscious thought (viññāṇa). About these<br />

latter ones, aga<strong>in</strong> later, for here we are deal<strong>in</strong>g with awareness of<br />

sensation (vedanānupassanā).<br />

A sensation (vedanā) then arises <strong>in</strong> the senses, when there is<br />

a contact of the outer world with the <strong>in</strong>ner senses. Such contact<br />

(phassa) is of the nature of the sense-organ; and thus physical contact<br />

need not be only that of touch. Sight, for <strong>in</strong>stance, is not a<br />

physical of a distant mounta<strong>in</strong> with the eye-ball; but a reflection<br />

is formed on the ret<strong>in</strong>a at the back of the eye-ball. It is then the<br />

light penetrat<strong>in</strong>g the lens of the eye, and project<strong>in</strong>g a picture of<br />

the object. This picture is received as <strong>in</strong> a photographic camera,<br />

<strong>in</strong>verted while the light rays pass through the lens. This picture is<br />

now received by the organ and passed on by the optical nerve to<br />

that particular section of the bra<strong>in</strong>, where it is perceived as a visible<br />

object. Then the bra<strong>in</strong> takes over and proceeds to construct an<br />

image (now upside up) as a concept thereof.<br />

Reception, perception and conception are then the stages<br />

through which the sensation passes to become a thought, recognition,<br />

memory, with all the nuances of attraction, repulsion, stor<strong>in</strong>g,<br />

reject<strong>in</strong>g, appropriation, opposition, which from the structure and<br />

function of the ‘I’-concept. Now, the awareness of this process of<br />

reception <strong>in</strong> the senses becom<strong>in</strong>g a sensation can take place only<br />

<strong>in</strong> ‘bare attention’, see<strong>in</strong>g sensation ‘only as sensation’. What does<br />

that mean?

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