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we open ourselves to aU unusual desires and aspirations, gaining new will<br />
and <strong>of</strong> On <strong>the</strong> o<strong>the</strong>r when we start to realize why we<br />
act <strong>the</strong> way we do, why we desire things, we are on a good way to liberate<br />
ourselves <strong>the</strong>m. By to <strong>the</strong> source <strong>of</strong> we can satisfy and<br />
use <strong>the</strong>m for a conscious action. Naamah is said to endow <strong>the</strong> L"�'I'l".L�L<br />
with all pleasures and riches <strong>of</strong> <strong>the</strong> world. And it is so indeed. But if this<br />
meant in material we would be bound even more to <strong>the</strong><br />
"nlnpl"p <strong>of</strong> matter, instead <strong>of</strong> from <strong>the</strong> shackles <strong>of</strong> <strong>the</strong> world.<br />
The way to <strong>the</strong> true spiritual progress is far from any dualisms. Heaven<br />
and hell are within us and <strong>the</strong> "riches <strong>of</strong> <strong>the</strong> world" are only a tool to<br />
perceive and experience <strong>the</strong> material plane in a conscious and chosen way.<br />
That is why Naamah is called "Beautiful" - for she shows us <strong>the</strong> true<br />
beauty which emanates onto <strong>the</strong> material world from <strong>the</strong> centre <strong>of</strong> our<br />
existence.<br />
" Pleasant" and IIGroaning"<br />
The joy <strong>of</strong> life and satisfaction with in harmony with oneself are<br />
in ano<strong>the</strong>r <strong>of</strong> Naamah's character. As we have<br />
observed, <strong>the</strong> Goddess was also called . The followers <strong>of</strong> Cain,<br />
after exiled from <strong>the</strong> Garden <strong>of</strong> Eden, had to conquer <strong>the</strong> hostile<br />
world and create own space on <strong>the</strong> earth. This was <strong>the</strong> <strong>of</strong><br />
civilization, with its technical achievements, culture and arts. While Tubal<br />
Cain was <strong>the</strong> inventor <strong>of</strong> advancement - <strong>the</strong> symbolic first<br />
blacksmith and craftsman - his sister Naamah everyone with her<br />
talent for music instruments and singing. Mono<strong>the</strong>istic religions saw <strong>the</strong><br />
joy <strong>of</strong> life by sexual intercourse or as i.e.<br />
distracting man from following <strong>the</strong> way <strong>of</strong> God. This was because such<br />
elements led to affirmation <strong>of</strong> life and its power, and encouraged man to<br />
seek happiness in himself, not in a mere <strong>of</strong> in a distant,<br />
abstract world which is available only in <strong>the</strong> afterlife. Moreover, <strong>the</strong><br />
aversion to ecstatic music and pagan folklore was caused by <strong>the</strong> fact that<br />
music was used as a ritual tool, connected with <strong>the</strong> conviction that <strong>the</strong><br />
spirit <strong>of</strong> a deity inhabited <strong>the</strong> instrument and spoke to <strong>the</strong> priest through<br />
<strong>the</strong> sound. This could also be controlled by means <strong>of</strong> music.<br />
What is a familiar ascribed to <strong>the</strong> famous witch <strong>of</strong> Endor<br />
was an old lifeless instrument, made from an old goatskin.<br />
"Yobal made reed instruments, and harps, and and whistles,<br />
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