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I II a later period this <strong>of</strong> Goeteia was lost and it came to be<br />
IIssociated with malevolent and sorcery. The necromancer became a<br />
Norcerer who dared to violate <strong>the</strong> natural laws <strong>of</strong> <strong>the</strong> universe by evoking<br />
Npirits in order to influence <strong>the</strong> world around. The Goeteia became a<br />
(liuk art, reserved to those who were not afraid to manipulate <strong>the</strong> fates<br />
o<strong>the</strong>rs and <strong>the</strong>ir own, which was viewed as forbidden because <strong>the</strong> ancients<br />
helieved that human lives to fulfill <strong>the</strong>ir own fate and is not<br />
tl ilowed to change it. There was also a new distinction between a<br />
"sorcerer" and a magos, "magician", <strong>the</strong> latter having a status, <strong>of</strong>ten<br />
r.,,,,,, ... r1,,,'; as a or a sage. The magoi did not to <strong>the</strong><br />
natural order <strong>of</strong> <strong>the</strong> world and <strong>the</strong>ir function was to explain and interpret<br />
its phenomena. They enjoyed a and were as <strong>the</strong><br />
successors <strong>of</strong> <strong>the</strong> old Persian Magi, <strong>the</strong> followers <strong>of</strong> Zoroaster and his<br />
doctrine. Their practices included divination and interpretation <strong>of</strong> dreams,<br />
nnd <strong>the</strong>y also maintained <strong>the</strong> social order by metaphysical<br />
for <strong>the</strong> social while <strong>the</strong> were believed to act<br />
against this order by using with <strong>the</strong> underworld, such<br />
as necromancy, charms, curses, and deceit This distinction is in<br />
many ancient writings and works <strong>of</strong> literature. For instance, in <strong>the</strong> second<br />
in his Metamorphoses writes about two kinds <strong>of</strong><br />
<strong>the</strong> first one, originating from Egypt and<br />
many favours <strong>of</strong> <strong>the</strong> gods, and <strong>the</strong> o<strong>the</strong>r, despised and forbidden by gods,<br />
working and by witches in<br />
In fact, <strong>the</strong>re were three types <strong>of</strong> mentioned in <strong>the</strong> ancient sources:<br />
mageia, and <strong>the</strong>ourgia. Apart from <strong>the</strong> above-mentioned views,<br />
Koeteia was also <strong>the</strong> lowest and <strong>the</strong> easiest form <strong>of</strong> magic, <strong>of</strong>ten referred to<br />
as trickery", or <strong>the</strong> art <strong>of</strong> The sorcerer who nl';,rtlrprI<br />
was elements in <strong>the</strong> objective universe to affect <strong>the</strong> will in<br />
his own subjective universe. This was done by summoning deities, angels,<br />
operations, and all o<strong>the</strong>r available means so<br />
that <strong>the</strong>y would do <strong>the</strong> will <strong>of</strong> <strong>the</strong> sorcerer. Mageia was <strong>the</strong> art by<br />
a magician who had achieved a certain level <strong>of</strong> personal initiation and was<br />
able to act on a divine level. He did not ask any objective to do his<br />
will because he had attained a unity with ' god' as a part <strong>of</strong> himself. Thus,<br />
his did not need intervention <strong>of</strong> any spirits but ra<strong>the</strong>r happened<br />
by means <strong>of</strong> <strong>the</strong> will itself. This form <strong>of</strong> magic was sometimes<br />
"wonder-working". The third type <strong>of</strong> was <strong>the</strong>urgy, or "divine<br />
work." The works <strong>of</strong> <strong>the</strong>urgy were with <strong>the</strong> gods and remained in<br />
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