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Now you stand before a gate. It is guarded by Cerberus, <strong>the</strong> monstrous<br />
Ihree-headed dog, with a snake for a tail and innumerable snake heads on<br />
his back. You reach to your pocket - <strong>the</strong>re is a key and a lash. You strike<br />
<strong>the</strong> earth with a lash and <strong>the</strong> hound starts to obey you. You put <strong>the</strong> key in<br />
his jaws and <strong>the</strong> gate opens. You go inside. You are now in a chamber lit<br />
with torches. In <strong>the</strong> middle <strong>of</strong> <strong>the</strong> chamber <strong>the</strong>re is a mirror. You come<br />
closer and gaze into it, but <strong>the</strong>re is no reflection. The mirror is dormant.<br />
You reach into ano<strong>the</strong>r pocket and find a dagger <strong>the</strong>re. You cut your hand<br />
and let <strong>the</strong> blood flow onto <strong>the</strong> mirror. Now it is alive. You can see images<br />
moving and changing in it. Gaze into <strong>the</strong> mirror and observe <strong>the</strong> visions.<br />
All you see is <strong>the</strong> reflection <strong>of</strong> your soul.<br />
When <strong>the</strong> mirror stops showing images and becomes silent, go out <strong>of</strong> <strong>the</strong><br />
chamber, take <strong>the</strong> key back and return up <strong>the</strong> stairs into <strong>the</strong> woods. Close<br />
<strong>the</strong> portal.<br />
Spirit evocation is an old magical art, dating to <strong>the</strong> earliest antiquity. We<br />
may find references to necromantic and demonic evocations in many<br />
works <strong>of</strong> ancient literature, like e.g. <strong>the</strong> famous conjuration <strong>of</strong> <strong>the</strong> spirit <strong>of</strong><br />
Samuel by <strong>the</strong> Witch <strong>of</strong> Endor. The art <strong>of</strong> spirit evocation was also widely<br />
used in <strong>the</strong> Middle Ages, and ga<strong>the</strong>red into a complete ritual system in <strong>the</strong><br />
14th-17th century, when <strong>the</strong> majority <strong>of</strong> Solomonic grimoires appeared in<br />
circulation. Among all <strong>the</strong>se books <strong>of</strong> magic, <strong>the</strong> Goetia holds a truly unique<br />
position. There is no o<strong>the</strong>r book <strong>of</strong> such a dreadful notoriety and <strong>the</strong>re is no<br />
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