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putting a ring and a pentacle, and <strong>the</strong> ceremony itself. in some i<br />
was not<br />
Tri<strong>the</strong>mius certain with demons whom he :<br />
and could not control. We <strong>the</strong>n suspect that his magic '<br />
"angelic" .42<br />
There were also many rumours about Tri<strong>the</strong>mius' skills. It was '<br />
believed that he used <strong>the</strong> art <strong>of</strong> necromancy at <strong>the</strong> <strong>the</strong> Emperor I<br />
I to summon <strong>the</strong> spirit <strong>of</strong> his deceased wife <strong>of</strong> Burgundy.<br />
He had a reputation <strong>of</strong> an alchemist and never denied it. It was even said<br />
that <strong>the</strong> resources for <strong>the</strong> restoration <strong>of</strong> <strong>the</strong> monastery were <strong>the</strong> ;<br />
result <strong>of</strong> <strong>the</strong> successful transmutation <strong>of</strong> <strong>the</strong> Philosopher's Stone43. No "<br />
.<br />
wonder that his person largely to <strong>the</strong> Faust myth in<br />
Renaissance Among his works <strong>the</strong>re was also Antipalus<br />
Maleficiorum Comprehensus, a book classified according to :<br />
<strong>the</strong>ir The book also listed 44 methods <strong>of</strong> divination and !<br />
contained an interesting bibliography.<br />
Agrippa Nettesheim<br />
(1486-1535) was an<br />
vy n; y);< • .:y expert on and <strong>the</strong> most<br />
writer <strong>of</strong> <strong>the</strong> Renaissance esoteric literature. His key work De Occulta ;<br />
Philosophia contributed to <strong>the</strong> <strong>of</strong> <strong>the</strong> Renaissance :<br />
<strong>of</strong> magic and linked his name with <strong>the</strong> Faust<br />
It was an encyclopedia <strong>of</strong> in which made an attempt to I<br />
OCI''1'',I".O<br />
<strong>the</strong> most aspects <strong>of</strong> <strong>the</strong> occult <strong>of</strong> <strong>the</strong> age,<br />
especially <strong>the</strong> Hermetic He claimed that behind <strong>the</strong> superficial<br />
description occult arts in his <strong>the</strong>re is also a secret<br />
interpretation which cannot be written down but must be passed from <strong>the</strong><br />
master to <strong>the</strong> student. His definition <strong>of</strong> given in <strong>the</strong> first chapter<br />
<strong>the</strong> work was:<br />
"Magic is a faculty <strong>of</strong> wonderful virtue, full <strong>of</strong> most high <strong>the</strong><br />
most contemplation <strong>of</strong> most secret toge<strong>the</strong>r with <strong>the</strong> nature,<br />
power, substance, and virtues <strong>the</strong>re<strong>of</strong>, as <strong>the</strong> knowledge <strong>of</strong> whole<br />
nature, and it doth instruct us <strong>the</strong> differing and agreement <strong>of</strong><br />
42 Michael Baigent, Richard<br />
43 Michael Baigent, Richard<br />
The Elixir and <strong>the</strong> Slane<br />
The Elixir and <strong>the</strong> Slane<br />
�66-