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THE ARCANE SCHOOLS - Fort Myers Beach Masonic Lodge No. 362

THE ARCANE SCHOOLS - Fort Myers Beach Masonic Lodge No. 362

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Constantine and Theodosius; and from remains recently brought to<br />

knowledge it is plain that their style of building at that time was<br />

very like that of the churches built at Hexham and York in England,<br />

and those of the Ravenna, also nearly contemporary. They may not have<br />

been actually called Free-masons as early as Leader Scott insists they<br />

were,[65] but _they were free in fact_, traveling far and near where<br />

there was work to do, following the missionaries of the Church as far<br />

as England. When there was need for the name _Free-masons_, it was<br />

easily suggested by the fact that the cathedral-builders were quite<br />

distinct from the Guild-masons, the one being a universal order<br />

whereas the other was local and restricted. Older than Guild-masonry,<br />

the order of the cathedral-builders was more powerful, more artistic,<br />

and, it may be added, more religious; and it is from this order that<br />

the Masonry of today is descended.<br />

Since the story of the Comacine Masters has come to light, no doubt<br />

any longer remains that during the building period the order of Masons<br />

was at the height of its influence and power. At that time the<br />

building art stood above all other arts, and made the other arts bow<br />

to it, commanding the services of the most brilliant intellects and<br />

of the greatest artists of the age. Moreover, its symbols were wrought<br />

into stone long before they were written on parchment, if indeed they<br />

were ever recorded at all. Efforts have been made to rob those old<br />

masters of their honor as the designers of the cathedrals, but it is<br />

in vain.[66] Their monuments are enduring and still tell the story of<br />

their genius and art. High upon the cathedrals they left cartoons in<br />

stone, of which Findel gives a list,[67] portraying with searching<br />

satire abuses current in the Church. Such figures and devices would<br />

not have been tolerated but for the strength of the order, and not<br />

even then had the Church known what they meant to the adepts.<br />

History, like a mirage, lifts only a part of the past into view,<br />

leaving much that we should like to know in oblivion. At this distance<br />

the Middle Ages wear an aspect of smooth uniformity of faith and<br />

opinion, but that is only one of the many illusions of time by which<br />

we are deceived. What looks like uniformity was only conformity, and<br />

underneath its surface there was almost as much variety of thought as<br />

there is today, albeit not so freely expressed. Science itself, as<br />

well as religious ideas deemed heretical, sought seclusion; but the<br />

human mind was alive and active none the less, and a great secret<br />

order like Masonry, enjoying the protection of the Church, yet<br />

independent of it, invited freedom of thought and faith.[68] The<br />

Masons, by the very nature of their art, came into contact with all<br />

classes of men, and they had opportunities to know the defects of the<br />

Church. Far ahead of the masses and most of the clergy in education,<br />

in their travels to and fro, not only in Europe, but often extending<br />

to the far East, they became familiar with widely-differing religious<br />

views. They had learned to practice toleration, and their <strong>Lodge</strong>s<br />

became a sure refuge for those who were persecuted for the sake of<br />

opinion by bigoted fanaticism.<br />

While, as an order, the Comacine Masters served the Church as<br />

builders, the creed required for admission to their fraternity was<br />

never narrow, and, as we shall see, it became every year broader.<br />

Unless this fact be kept in mind, the influence of the Church upon<br />

Masonry, which no one seeks to minify, may easily be exaggerated. <strong>No</strong>t<br />

until cathedral building began to decline by reason of the

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