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- Page 6: The Death of Fashion. The Passage R
- Page 14: Preface This work is about the ugly
- Page 18: Ritual and Image “In this visual
- Page 22: the phenomenon of fashion in great
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- Page 34: can be film star today and feel the
- Page 38: y consumer rites arises from the si
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and the same, melted into one syste
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interesting aspect for our investig
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Socialist institutions replaced the
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eautiful. This is partly due to the
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and vanish are longer than those in
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from an article that emphasises the
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culture that can strategically nuan
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are separated by what Goffman has d
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Not just those in the commercial fi
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Peter Weibel described the show win
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in initiation or puberty rites, may
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The occasion for the death of a sto
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in art, nor was it in the field of
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parallels to archaic passage ritual
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Intuitive Images “I believe that
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tion of the death of fashion are in
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sales on Avenue Champs Elysées in
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in more or less distinct generation
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that the seasonal sale is a visual
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door will be opened in the final ch
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nakedness
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darkness
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itual clothing
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communitas
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antistructure
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festival
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opening ritual
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Passage Rite Simon Doonan for Maxfi
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Avenue des Champs Elysées Rue du F
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Avenue des Champs Elysées 92
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238 238 Bell (1992:202). Ave
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239
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242 2
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243 243 We ha
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247 248
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Rue du Faubourg Saint Honoré 104
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254 255 256
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262 263 264
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266 267 268
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274 275 276
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279 2
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283 284 283 Lato
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286 287 28
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289 290 291
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294 295 2
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Mariahilfer Straße Meidlinger Haup
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MARIAHILFER STRASSE This is a very
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“Make the store interior a show r
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Nobody has yet thought about how ou
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He is also destroyer, for in one of
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It will perhaps not return immediat
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covering both of them. Although eac
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this ritual, but this does not nece
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The use of snow crystals turns the
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have been cut out of various newspa
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that is, the cultic, 358 this windo
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Darkness and falling snowflakes. Th
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The huge façade of this boutique f
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371 371 Slogan on a cubist poster f
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The Death of Fashion 153
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376 377
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Golden Bough 381 382 383
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387 387 Mauss
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390 390 Pavitt (2001). The Deat
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393 393 Schirrmacher (2004:5
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398 399 40
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404 405 406 404 Bat
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413 414
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419 420 419 Baudril
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The Bacchae 425 426
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431 432 433 431 G
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30 West 50th Street Fifth Avenue 10
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30 WEST 50TH STREET There is a conn
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windows, did stop people as they pa
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as unimaginable as much else was a
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sexuality, and theatre are deeply r
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and idiosyncratic in order to endow
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Being part of the audience in a the
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event intensively; and in the third
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Elliott conducted a study on the ri
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Mönckeberg Straße Spitaler Straß
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Ever since Douglas and Isherwood po
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and becomes the endless transformat
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social benefit should be apparent i
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ones display winter-garments, while
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year, the consumers go into a frenz
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Maybe in former times people would
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that the Enlightenment was sacrific
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Fashion is judged to death. I The D
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Fashion windows are clothed in dark
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Fashion mannequins are dressed in p
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Fashion mannequins are bound. VII T
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Fashion is thrown into the rummage
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Fashion’s throat is cut by the pe
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Fashion’s body is torn apart with
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Summary “Fashion prescribes the r
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zines, because it was the March iss
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Procession “Twice each year, the
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Two main aspects emerge from this d
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designer (sacral symbolism) and the
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their lives at this proven gateway
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the procession. 594 If Barthes is r
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endowing it with new value. In ritu
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on the symmetry of exchange within
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“To the extent to which there is
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out the question we must ask oursel
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during this period, we will have to
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Communitas also shows the garments
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culture does not merely use the str
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Procession The procession was an im
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Sacrifice The ancient Greek ritual
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Memento Mori “Remember your death
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Artistic Prototypes The dead manneq
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Wheel The wheel is an old symbol fo
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Iconoclasm Holy images have always
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Iconoclasm Throwing stones is an ol
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Index The Death of Fashion 285
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p. 272 Sale at Selfridges, garments
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Belk, Russel W./Wallendorf, Melanie
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Flusser, Vilém: The Shape of Thing
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Liessmann, Konrad Paul: Philosophie
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Schwanzer, Berthold Ch.: Die Erlebn
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Remarks Quotation Seen in the Show