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ebirth of spring are examples of such rites of passage. 78 These<br />

rites have been very important in agrarian societies, which<br />

depend on the rebirth of vegetation in spring. The physical<br />

inevitabilities have thus been transformed into cultural<br />

regularities. 79 The people whose lives were dependent on the<br />

rebirth of vegetation have handled their fear successfully by<br />

enacting the rites of passage every year. Has the fashion industry<br />

in our consumer culture taken on the function of performing the<br />

seasonal rites of passage? In our example of the show windows,<br />

we have already described the immanent potential of a crisis,<br />

which is caused when the past collection is declared as no longer<br />

fashionable through the inauguration of the new collection and<br />

the dramatic change of value caused by the drop in price from<br />

one day to the next. Ritualised action has often been used to deal<br />

with crisis. 80 We could assume that the dramatisation of the ritual<br />

of the sale prepares the path for dealing with this crisis. After the<br />

sales, the rites of passage stablise the new reality of what is new<br />

and what is old and outdated. The ancient fear of the periodical<br />

return of vegetation with renewed strenth has been replaced by<br />

the fear of the periodical return of the new fashion trend in our<br />

consumer society. 81 The way rituals communicate is essentially<br />

symbolic in nature. Umberto Eco described humans as symbolic<br />

beings and rituals as symbolic forms. 82 In ritual theory, we<br />

can find numerous definitions that refer to the symbolic nature<br />

of rituals:<br />

“Rituals are the active forms of symbols. Although these are<br />

social actions, they are oriented to others, or beyond that even<br />

aimed at these: oriented to others that basically cannot be<br />

immediately experienced and belong to a different area of<br />

reality than the one inhabited by the everyday, by the agent.” 83<br />

This means that a world outside our everyday world exists.<br />

Symbolic communication is directed into this other world, but<br />

it is not a communication between different realities. Both worlds<br />

unite during ritual practice. Clifford Geertz argued that during<br />

a ritual the world we live in and the world we imagine are one<br />

78 Ibid., p. 172.<br />

79 Bell (1997:94).<br />

80 Turner (1982:92).<br />

81 This does not mean that the trend is a ritual. This only means that there is the need for a ritual in dealing with the seasonal<br />

change of fashion trends.<br />

82 Eco (1977:108).<br />

83 Luckmann (1999:12)*.<br />

Ritualisation<br />

32

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