Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ebirth of spring are examples of such rites of passage. 78 These<br />
rites have been very important in agrarian societies, which<br />
depend on the rebirth of vegetation in spring. The physical<br />
inevitabilities have thus been transformed into cultural<br />
regularities. 79 The people whose lives were dependent on the<br />
rebirth of vegetation have handled their fear successfully by<br />
enacting the rites of passage every year. Has the fashion industry<br />
in our consumer culture taken on the function of performing the<br />
seasonal rites of passage? In our example of the show windows,<br />
we have already described the immanent potential of a crisis,<br />
which is caused when the past collection is declared as no longer<br />
fashionable through the inauguration of the new collection and<br />
the dramatic change of value caused by the drop in price from<br />
one day to the next. Ritualised action has often been used to deal<br />
with crisis. 80 We could assume that the dramatisation of the ritual<br />
of the sale prepares the path for dealing with this crisis. After the<br />
sales, the rites of passage stablise the new reality of what is new<br />
and what is old and outdated. The ancient fear of the periodical<br />
return of vegetation with renewed strenth has been replaced by<br />
the fear of the periodical return of the new fashion trend in our<br />
consumer society. 81 The way rituals communicate is essentially<br />
symbolic in nature. Umberto Eco described humans as symbolic<br />
beings and rituals as symbolic forms. 82 In ritual theory, we<br />
can find numerous definitions that refer to the symbolic nature<br />
of rituals:<br />
“Rituals are the active forms of symbols. Although these are<br />
social actions, they are oriented to others, or beyond that even<br />
aimed at these: oriented to others that basically cannot be<br />
immediately experienced and belong to a different area of<br />
reality than the one inhabited by the everyday, by the agent.” 83<br />
This means that a world outside our everyday world exists.<br />
Symbolic communication is directed into this other world, but<br />
it is not a communication between different realities. Both worlds<br />
unite during ritual practice. Clifford Geertz argued that during<br />
a ritual the world we live in and the world we imagine are one<br />
78 Ibid., p. 172.<br />
79 Bell (1997:94).<br />
80 Turner (1982:92).<br />
81 This does not mean that the trend is a ritual. This only means that there is the need for a ritual in dealing with the seasonal<br />
change of fashion trends.<br />
82 Eco (1977:108).<br />
83 Luckmann (1999:12)*.<br />
Ritualisation<br />
32