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266 267 268 269 266 Foucault (2004:375). 267 For a profound discussion on Baudrillard’s theory of signs, see Reck (1986:237). 268 Maybe this was Roland Barthes’ inspiration for his work on the fashion system. The August issue of Vogue was published in the same year in which Barthes did his research on fashion magazines (from June 1958 until June 1959). The article is called “Le code de la mode” and describes in short the characteristics of fashion details. See Charles-Roux (1959:26-33). 269 Debord (2004:16). Rue du Faubourg Saint Honoré 110
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4y SpringerWienNewYork
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The Death of Fashion. The Passage R
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The Death of Fashion 9 13 73 89 211
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We decided to do a ‘visual’ res
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The Fashion System Christmas was ov
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for pain, pessimism, tragic myth, t
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“The more it should be common sen
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place. 30 Don Slater defines consum
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wide success. Christmas is now cele
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Rituals are not only practiced on f
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complex dramatisation strategy of t
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constituted not by the intentions w
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“There is, however, one point in
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ebirth of spring are examples of su
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display can also be expressed very
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Dionysian rite of the ancient Greek
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wear our “winter jacket” instea
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for change and contrast, on the one
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“Many of the changes in the natur
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space. As consumer culture took the
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in which a bough can exist. One of
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eyond its artistic expression. In t
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hypothesis is that fashion employs
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are immediately able to understand
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might feel when we read Turner, how
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ability, whilst diffuse symbols wor
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“Prince Carnival has come of age!
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to the winter collection are signif
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an iconoclastic monotheism, which d
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The image of communitas is based on
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And if we do, it is only metaphoric
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situated in the cross-disciplinary
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pretation. The second step is the i
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The Death of Fashion Visual Lexicon
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The Death of in Fashion primitive c
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The Death of the Fashion shop becom
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The Death of paper Fashion + dresse
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The Death of initiants Fashion of p
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The Death of damatisation Fashion o
Page 160: The Death of flags Fashion and musi
Page 164: The Death of Fashion 87
Page 168: City Walks The Death of Fashion 89
Page 172: 234 234 Benjamin (2004:63). The Dea
Page 176: 235 236 2
Page 184: 241 241 Turner (1997:95). Th
Page 192: 244 245 246
Page 200: 251 252 253
Page 204: 257 258 259
Page 208: 265 265 Baudril
Page 214: 274 275 276
Page 218: 279 2
Page 222: 283 284 283 Lato
Page 226: 286 287 28
Page 230: 289 290 291
Page 234: 294 295 2
Page 238: Mariahilfer Straße Meidlinger Haup
Page 242: MARIAHILFER STRASSE This is a very
Page 246: “Make the store interior a show r
Page 250: Nobody has yet thought about how ou
Page 254: He is also destroyer, for in one of
Page 258: It will perhaps not return immediat
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covering both of them. Although eac
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this ritual, but this does not nece
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The use of snow crystals turns the
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have been cut out of various newspa
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that is, the cultic, 358 this windo
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Darkness and falling snowflakes. Th
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The huge façade of this boutique f
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371 371 Slogan on a cubist poster f
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The Death of Fashion 153
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376 377
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Golden Bough 381 382 383
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387 387 Mauss
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390 390 Pavitt (2001). The Deat
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393 393 Schirrmacher (2004:5
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398 399 40
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404 405 406 404 Bat
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413 414
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419 420 419 Baudril
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The Bacchae 425 426
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431 432 433 431 G
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30 West 50th Street Fifth Avenue 10
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30 WEST 50TH STREET There is a conn
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windows, did stop people as they pa
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as unimaginable as much else was a
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sexuality, and theatre are deeply r
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and idiosyncratic in order to endow
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Being part of the audience in a the
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event intensively; and in the third
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Elliott conducted a study on the ri
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Mönckeberg Straße Spitaler Straß
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Ever since Douglas and Isherwood po
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and becomes the endless transformat
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social benefit should be apparent i
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ones display winter-garments, while
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year, the consumers go into a frenz
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Maybe in former times people would
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that the Enlightenment was sacrific
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Fashion is judged to death. I The D
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Fashion windows are clothed in dark
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Fashion mannequins are dressed in p
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Fashion mannequins are bound. VII T
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Fashion is thrown into the rummage
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Fashion’s throat is cut by the pe
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Fashion’s body is torn apart with
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Summary “Fashion prescribes the r
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zines, because it was the March iss
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Procession “Twice each year, the
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Two main aspects emerge from this d
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designer (sacral symbolism) and the
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their lives at this proven gateway
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the procession. 594 If Barthes is r
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endowing it with new value. In ritu
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on the symmetry of exchange within
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“To the extent to which there is
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out the question we must ask oursel
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during this period, we will have to
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Communitas also shows the garments
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culture does not merely use the str
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Procession The procession was an im
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Sacrifice The ancient Greek ritual
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Memento Mori “Remember your death
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Artistic Prototypes The dead manneq
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Wheel The wheel is an old symbol fo
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Iconoclasm Holy images have always
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Iconoclasm Throwing stones is an ol
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Index The Death of Fashion 285
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p. 272 Sale at Selfridges, garments
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Belk, Russel W./Wallendorf, Melanie
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Flusser, Vilém: The Shape of Thing
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Liessmann, Konrad Paul: Philosophie
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Schwanzer, Berthold Ch.: Die Erlebn
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Remarks Quotation Seen in the Show
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