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covering both of them. Although each fashion item bears a big price tag, there is<br />

a price list on the floor as well. Each item is listed by its original price. But since<br />

the price has been struck out, we have to read the price on the tags attached to<br />

the mannequins. There are two price lists, one for each mannequin. The price lists<br />

are written by hand with a thin felt pen, while the striking off is done with a thick<br />

marker. We now return to the window with the spring collection. The two price<br />

lists here are printed.<br />

Since this shop does not have a backdrop – usually an important factor<br />

in creating ritual space – the differences are more subtle. While the decoration<br />

of the spring outfits does without price tags on the mannequins, since the<br />

price list is printed, the seasonal sale window has visible pricing on the mannequins.<br />

The price tag has been an important information factor from the<br />

very beginning of retail design. Here is some advice from the discipline’s genesis:<br />

“In order to distinguish between good and bad showcase price tags, it is also<br />

necessary to keep in mind how such decorations should never be used. One<br />

often sees price tags and description of goods scribbled in pencil or colour<br />

pencil on a piece of white paper; such bits of paper are almost repulsive.” 323<br />

What follows is the figure of a handwritten price tag on a man’s shirt for<br />

twenty-nine fifty. The frame is drawn with a trembling line and the numbers are<br />

vague. Such deterring price tags are used for the seasonal sale. Their message is<br />

clear: “Although we can easily print what we need for the show window, we do it<br />

by hand. We do it to draw the outline of the ritual circle.”<br />

FAVORITEN STRASSE<br />

Customers who do not have much money to spend on their shopping<br />

frequent this street. When speaking of fashion design today, this is not the place<br />

we think about first. This street is not really a model for excellent retail design<br />

even during the year. Although similar shops exist in every city, we have never<br />

seen such an environment in books about retail design. But they probably make<br />

323 Schönberger (no year:17)*. This course book for window dressers was published before 1929.<br />

Favoriten Straße<br />

136

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