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402 403 402 See Miller (1998b). 403 Miller (1998a:78). Oxford Street 166
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4y SpringerWienNewYork
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The Death of Fashion. The Passage R
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The Death of Fashion 9 13 73 89 211
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We decided to do a ‘visual’ res
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The Fashion System Christmas was ov
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for pain, pessimism, tragic myth, t
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“The more it should be common sen
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place. 30 Don Slater defines consum
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wide success. Christmas is now cele
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Rituals are not only practiced on f
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complex dramatisation strategy of t
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constituted not by the intentions w
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“There is, however, one point in
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ebirth of spring are examples of su
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display can also be expressed very
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Dionysian rite of the ancient Greek
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wear our “winter jacket” instea
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for change and contrast, on the one
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“Many of the changes in the natur
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space. As consumer culture took the
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in which a bough can exist. One of
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eyond its artistic expression. In t
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hypothesis is that fashion employs
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are immediately able to understand
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might feel when we read Turner, how
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ability, whilst diffuse symbols wor
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“Prince Carnival has come of age!
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to the winter collection are signif
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an iconoclastic monotheism, which d
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The image of communitas is based on
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And if we do, it is only metaphoric
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situated in the cross-disciplinary
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pretation. The second step is the i
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The Death of Fashion Visual Lexicon
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The Death of in Fashion primitive c
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The Death of the Fashion shop becom
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The Death of paper Fashion + dresse
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The Death of initiants Fashion of p
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The Death of damatisation Fashion o
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The Death of flags Fashion and musi
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The Death of Fashion 87
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City Walks The Death of Fashion 89
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234 234 Benjamin (2004:63). The Dea
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235 236 2
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241 241 Turner (1997:95). Th
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244 245 246
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251 252 253
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257 258 259
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265 265 Baudril
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270 271 272
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280 281 282
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285
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288 288 Hubert/Mau
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293 293 Csikszentihalyi/
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297 298 299 297
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VIENNA Lutz in Act one, They are Dy
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the subconscious of marketing activ
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Both of them are dressed in a white
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graphed nude, her only reference to
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The sacred and the profane are once
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certain length of time. A hidden my
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more money than fashionable boutiqu
Page 268: gesture. Smoking a pipe in our cult
Page 272: “Urban planning, architecture and
Page 276: habit and connects them with the ne
Page 280: unifies the shops around the world.
Page 284: a signal-red pullover. Its arms are
Page 288: Regent Street Oxford Street New Bon
Page 292: 372 373 372 Timmins (1922
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Page 300: 378 379 380
Page 304: 385 386 385 Wilson (20
Page 308: 388 389
Page 312: 391 392 391 Cummin
Page 316: 394 395 396 39
Page 322: 404 405 406 404 Bat
Page 326: 413 414
Page 330: 419 420 419 Baudril
Page 334: The Bacchae 425 426
Page 338: 431 432 433 431 G
Page 342: 30 West 50th Street Fifth Avenue 10
Page 346: 30 WEST 50TH STREET There is a conn
Page 350: windows, did stop people as they pa
Page 354: as unimaginable as much else was a
Page 358: sexuality, and theatre are deeply r
Page 362: and idiosyncratic in order to endow
Page 366: Being part of the audience in a the
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event intensively; and in the third
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Elliott conducted a study on the ri
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Mönckeberg Straße Spitaler Straß
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Ever since Douglas and Isherwood po
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and becomes the endless transformat
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social benefit should be apparent i
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ones display winter-garments, while
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year, the consumers go into a frenz
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Maybe in former times people would
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that the Enlightenment was sacrific
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Fashion is judged to death. I The D
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Fashion windows are clothed in dark
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Fashion mannequins are dressed in p
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Fashion mannequins are bound. VII T
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Fashion is thrown into the rummage
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Fashion’s throat is cut by the pe
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Fashion’s body is torn apart with
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Summary “Fashion prescribes the r
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zines, because it was the March iss
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Procession “Twice each year, the
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Two main aspects emerge from this d
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designer (sacral symbolism) and the
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their lives at this proven gateway
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the procession. 594 If Barthes is r
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endowing it with new value. In ritu
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on the symmetry of exchange within
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“To the extent to which there is
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out the question we must ask oursel
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during this period, we will have to
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Communitas also shows the garments
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culture does not merely use the str
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Procession The procession was an im
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Sacrifice The ancient Greek ritual
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Memento Mori “Remember your death
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Artistic Prototypes The dead manneq
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Wheel The wheel is an old symbol fo
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Iconoclasm Holy images have always
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Iconoclasm Throwing stones is an ol
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Index The Death of Fashion 285
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p. 272 Sale at Selfridges, garments
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Belk, Russel W./Wallendorf, Melanie
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Flusser, Vilém: The Shape of Thing
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Liessmann, Konrad Paul: Philosophie
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Schwanzer, Berthold Ch.: Die Erlebn
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Remarks Quotation Seen in the Show
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