vienna

More documents

Recommendations

Info

244 245 246 244 Hubert/Mauss (1981:29). 245 Hubert/Mauss (1981). 246 Ibid., p 10. The Death of Fashion 101
Page 2:
4y SpringerWienNewYork
Page 6:
The Death of Fashion. The Passage R
Page 12:
The Death of Fashion 9 13 73 89 211
Page 16:
We decided to do a ‘visual’ res
Page 20:
The Fashion System Christmas was ov
Page 24:
for pain, pessimism, tragic myth, t
Page 28:
“The more it should be common sen
Page 32:
place. 30 Don Slater defines consum
Page 36:
wide success. Christmas is now cele
Page 40:
Rituals are not only practiced on f
Page 44:
complex dramatisation strategy of t
Page 48:
constituted not by the intentions w
Page 52:
“There is, however, one point in
Page 56:
ebirth of spring are examples of su
Page 60:
display can also be expressed very
Page 64:
Dionysian rite of the ancient Greek
Page 68:
wear our “winter jacket” instea
Page 72:
for change and contrast, on the one
Page 76:
“Many of the changes in the natur
Page 80:
space. As consumer culture took the
Page 84:
in which a bough can exist. One of
Page 88:
eyond its artistic expression. In t
Page 92:
hypothesis is that fashion employs
Page 96:
are immediately able to understand
Page 100:
might feel when we read Turner, how
Page 104:
ability, whilst diffuse symbols wor
Page 108:
“Prince Carnival has come of age!
Page 112:
to the winter collection are signif
Page 116:
an iconoclastic monotheism, which d
Page 120:
The image of communitas is based on
Page 124:
And if we do, it is only metaphoric
Page 128:
situated in the cross-disciplinary
Page 132:
pretation. The second step is the i
Page 136:
The Death of Fashion Visual Lexicon
Page 140: The Death of in Fashion primitive c
Page 144: The Death of the Fashion shop becom
Page 148: The Death of paper Fashion + dresse
Page 152: The Death of initiants Fashion of p
Page 156: The Death of damatisation Fashion o
Page 160: The Death of flags Fashion and musi
Page 164: The Death of Fashion 87
Page 168: City Walks The Death of Fashion 89
Page 172: 234 234 Benjamin (2004:63). The Dea
Page 176: 235 236 2
Page 184: 241 241 Turner (1997:95). Th
Page 194: 247 248
Page 198: Rue du Faubourg Saint Honoré 104
Page 202: 254 255 256
Page 206: 262 263 264
Page 210: 266 267 268
Page 214: 274 275 276
Page 218: 279 2
Page 222: 283 284 283 Lato
Page 226: 286 287 28
Page 230: 289 290 291
Page 234: 294 295 2
Page 238: Mariahilfer Straße Meidlinger Haup
Page 242:
MARIAHILFER STRASSE This is a very
Page 246:
“Make the store interior a show r
Page 250:
Nobody has yet thought about how ou
Page 254:
He is also destroyer, for in one of
Page 258:
It will perhaps not return immediat
Page 262:
covering both of them. Although eac
Page 266:
this ritual, but this does not nece
Page 270:
The use of snow crystals turns the
Page 274:
have been cut out of various newspa
Page 278:
that is, the cultic, 358 this windo
Page 282:
Darkness and falling snowflakes. Th
Page 286:
The huge façade of this boutique f
Page 290:
371 371 Slogan on a cubist poster f
Page 294:
The Death of Fashion 153
Page 298:
376 377
Page 302:
Golden Bough 381 382 383
Page 306:
387 387 Mauss
Page 310:
390 390 Pavitt (2001). The Deat
Page 314:
393 393 Schirrmacher (2004:5
Page 318:
398 399 40
Page 322:
404 405 406 404 Bat
Page 326:
413 414
Page 330:
419 420 419 Baudril
Page 334:
The Bacchae 425 426
Page 338:
431 432 433 431 G
Page 342:
30 West 50th Street Fifth Avenue 10
Page 346:
30 WEST 50TH STREET There is a conn
Page 350:
windows, did stop people as they pa
Page 354:
as unimaginable as much else was a
Page 358:
sexuality, and theatre are deeply r
Page 362:
and idiosyncratic in order to endow
Page 366:
Being part of the audience in a the
Page 370:
event intensively; and in the third
Page 374:
Elliott conducted a study on the ri
Page 378:
Mönckeberg Straße Spitaler Straß
Page 382:
Ever since Douglas and Isherwood po
Page 386:
and becomes the endless transformat
Page 390:
social benefit should be apparent i
Page 394:
ones display winter-garments, while
Page 398:
year, the consumers go into a frenz
Page 402:
Maybe in former times people would
Page 406:
that the Enlightenment was sacrific
Page 410:
Fashion is judged to death. I The D
Page 414:
Fashion windows are clothed in dark
Page 418:
Fashion mannequins are dressed in p
Page 422:
Fashion mannequins are bound. VII T
Page 426:
Fashion is thrown into the rummage
Page 430:
Fashion’s throat is cut by the pe
Page 434:
Fashion’s body is torn apart with
Page 438:
Summary “Fashion prescribes the r
Page 442:
zines, because it was the March iss
Page 446:
Procession “Twice each year, the
Page 450:
Two main aspects emerge from this d
Page 454:
designer (sacral symbolism) and the
Page 458:
their lives at this proven gateway
Page 462:
the procession. 594 If Barthes is r
Page 466:
endowing it with new value. In ritu
Page 470:
on the symmetry of exchange within
Page 474:
“To the extent to which there is
Page 478:
out the question we must ask oursel
Page 482:
during this period, we will have to
Page 486:
Communitas also shows the garments
Page 490:
culture does not merely use the str
Page 494:
Procession The procession was an im
Page 498:
Sacrifice The ancient Greek ritual
Page 502:
Memento Mori “Remember your death
Page 506:
Artistic Prototypes The dead manneq
Page 510:
Wheel The wheel is an old symbol fo
Page 514:
Iconoclasm Holy images have always
Page 518:
Iconoclasm Throwing stones is an ol
Page 522:
Index The Death of Fashion 285
Page 526:
p. 272 Sale at Selfridges, garments
Page 530:
Belk, Russel W./Wallendorf, Melanie
Page 534:
Flusser, Vilém: The Shape of Thing
Page 538:
Liessmann, Konrad Paul: Philosophie
Page 542:
Schwanzer, Berthold Ch.: Die Erlebn
Page 546:
Remarks Quotation Seen in the Show
show all

vienna

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?