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378 379 380 378 The posture is ambivalent, but the interpretation given here would be shared by most of the spectators. It imitates the graphic design of sex shops. 379 Liessmann (2000:159). 380 Baudrillard (1990:67). New Bond Street 156
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4y SpringerWienNewYork
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The Death of Fashion. The Passage R
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The Death of Fashion 9 13 73 89 211
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We decided to do a ‘visual’ res
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The Fashion System Christmas was ov
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for pain, pessimism, tragic myth, t
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“The more it should be common sen
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place. 30 Don Slater defines consum
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wide success. Christmas is now cele
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Rituals are not only practiced on f
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complex dramatisation strategy of t
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constituted not by the intentions w
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“There is, however, one point in
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ebirth of spring are examples of su
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display can also be expressed very
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Dionysian rite of the ancient Greek
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wear our “winter jacket” instea
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for change and contrast, on the one
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“Many of the changes in the natur
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space. As consumer culture took the
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in which a bough can exist. One of
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eyond its artistic expression. In t
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hypothesis is that fashion employs
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are immediately able to understand
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might feel when we read Turner, how
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ability, whilst diffuse symbols wor
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“Prince Carnival has come of age!
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to the winter collection are signif
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an iconoclastic monotheism, which d
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The image of communitas is based on
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And if we do, it is only metaphoric
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situated in the cross-disciplinary
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pretation. The second step is the i
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The Death of Fashion Visual Lexicon
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The Death of in Fashion primitive c
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The Death of the Fashion shop becom
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The Death of paper Fashion + dresse
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The Death of initiants Fashion of p
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The Death of damatisation Fashion o
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The Death of flags Fashion and musi
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The Death of Fashion 87
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City Walks The Death of Fashion 89
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234 234 Benjamin (2004:63). The Dea
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235 236 2
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241 241 Turner (1997:95). Th
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244 245 246
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251 252 253
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257 258 259
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265 265 Baudril
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270 271 272
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280 281 282
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285
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288 288 Hubert/Mau
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293 293 Csikszentihalyi/
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297 298 299 297
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VIENNA Lutz in Act one, They are Dy
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the subconscious of marketing activ
Page 248: Both of them are dressed in a white
Page 252: graphed nude, her only reference to
Page 256: The sacred and the profane are once
Page 260: certain length of time. A hidden my
Page 264: more money than fashionable boutiqu
Page 268: gesture. Smoking a pipe in our cult
Page 272: “Urban planning, architecture and
Page 276: habit and connects them with the ne
Page 280: unifies the shops around the world.
Page 284: a signal-red pullover. Its arms are
Page 288: Regent Street Oxford Street New Bon
Page 292: 372 373 372 Timmins (1922
Page 296: 374 375
Page 302: Golden Bough 381 382 383
Page 306: 387 387 Mauss
Page 310: 390 390 Pavitt (2001). The Deat
Page 314: 393 393 Schirrmacher (2004:5
Page 318: 398 399 40
Page 322: 404 405 406 404 Bat
Page 326: 413 414
Page 330: 419 420 419 Baudril
Page 334: The Bacchae 425 426
Page 338: 431 432 433 431 G
Page 342: 30 West 50th Street Fifth Avenue 10
Page 346: 30 WEST 50TH STREET There is a conn
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windows, did stop people as they pa
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as unimaginable as much else was a
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sexuality, and theatre are deeply r
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and idiosyncratic in order to endow
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Being part of the audience in a the
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event intensively; and in the third
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Elliott conducted a study on the ri
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Mönckeberg Straße Spitaler Straß
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Ever since Douglas and Isherwood po
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and becomes the endless transformat
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social benefit should be apparent i
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ones display winter-garments, while
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year, the consumers go into a frenz
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Maybe in former times people would
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that the Enlightenment was sacrific
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Fashion is judged to death. I The D
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Fashion windows are clothed in dark
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Fashion mannequins are dressed in p
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Fashion mannequins are bound. VII T
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Fashion is thrown into the rummage
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Fashion’s throat is cut by the pe
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Fashion’s body is torn apart with
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Summary “Fashion prescribes the r
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zines, because it was the March iss
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Procession “Twice each year, the
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Two main aspects emerge from this d
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designer (sacral symbolism) and the
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their lives at this proven gateway
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the procession. 594 If Barthes is r
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endowing it with new value. In ritu
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on the symmetry of exchange within
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“To the extent to which there is
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out the question we must ask oursel
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during this period, we will have to
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Communitas also shows the garments
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culture does not merely use the str
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Procession The procession was an im
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Sacrifice The ancient Greek ritual
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Memento Mori “Remember your death
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Artistic Prototypes The dead manneq
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Wheel The wheel is an old symbol fo
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Iconoclasm Holy images have always
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Iconoclasm Throwing stones is an ol
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Index The Death of Fashion 285
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p. 272 Sale at Selfridges, garments
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Belk, Russel W./Wallendorf, Melanie
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Flusser, Vilém: The Shape of Thing
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Liessmann, Konrad Paul: Philosophie
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Schwanzer, Berthold Ch.: Die Erlebn
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Remarks Quotation Seen in the Show
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