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274 275 276 277 278 274 Barthes (1990:291). 275 Eco (1977:185). 276 We use these terms according to the semiotic triangle (e.g. Eco 1977:28). 277 Richardson/Kroeber (1940:149). 278 This might become even more difficult after the cited study, especially for the subsequent development of the fashion history. Boulevard Hausmann 112
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4y SpringerWienNewYork
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The Death of Fashion. The Passage R
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The Death of Fashion 9 13 73 89 211
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We decided to do a ‘visual’ res
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The Fashion System Christmas was ov
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for pain, pessimism, tragic myth, t
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“The more it should be common sen
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place. 30 Don Slater defines consum
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wide success. Christmas is now cele
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Rituals are not only practiced on f
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complex dramatisation strategy of t
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constituted not by the intentions w
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“There is, however, one point in
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ebirth of spring are examples of su
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display can also be expressed very
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Dionysian rite of the ancient Greek
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wear our “winter jacket” instea
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for change and contrast, on the one
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“Many of the changes in the natur
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space. As consumer culture took the
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in which a bough can exist. One of
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eyond its artistic expression. In t
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hypothesis is that fashion employs
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are immediately able to understand
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might feel when we read Turner, how
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ability, whilst diffuse symbols wor
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“Prince Carnival has come of age!
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to the winter collection are signif
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an iconoclastic monotheism, which d
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The image of communitas is based on
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And if we do, it is only metaphoric
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situated in the cross-disciplinary
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pretation. The second step is the i
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The Death of Fashion Visual Lexicon
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The Death of in Fashion primitive c
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The Death of the Fashion shop becom
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The Death of paper Fashion + dresse
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The Death of initiants Fashion of p
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The Death of damatisation Fashion o
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The Death of flags Fashion and musi
Page 164: The Death of Fashion 87
Page 168: City Walks The Death of Fashion 89
Page 172: 234 234 Benjamin (2004:63). The Dea
Page 176: 235 236 2
Page 184: 241 241 Turner (1997:95). Th
Page 192: 244 245 246
Page 200: 251 252 253
Page 204: 257 258 259
Page 208: 265 265 Baudril
Page 212: 270 271 272
Page 218: 279 2
Page 222: 283 284 283 Lato
Page 226: 286 287 28
Page 230: 289 290 291
Page 234: 294 295 2
Page 238: Mariahilfer Straße Meidlinger Haup
Page 242: MARIAHILFER STRASSE This is a very
Page 246: “Make the store interior a show r
Page 250: Nobody has yet thought about how ou
Page 254: He is also destroyer, for in one of
Page 258: It will perhaps not return immediat
Page 262: covering both of them. Although eac
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this ritual, but this does not nece
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The use of snow crystals turns the
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have been cut out of various newspa
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that is, the cultic, 358 this windo
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Darkness and falling snowflakes. Th
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The huge façade of this boutique f
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371 371 Slogan on a cubist poster f
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The Death of Fashion 153
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376 377
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Golden Bough 381 382 383
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387 387 Mauss
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390 390 Pavitt (2001). The Deat
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393 393 Schirrmacher (2004:5
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398 399 40
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404 405 406 404 Bat
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413 414
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419 420 419 Baudril
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The Bacchae 425 426
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431 432 433 431 G
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30 West 50th Street Fifth Avenue 10
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30 WEST 50TH STREET There is a conn
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windows, did stop people as they pa
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as unimaginable as much else was a
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sexuality, and theatre are deeply r
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and idiosyncratic in order to endow
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Being part of the audience in a the
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event intensively; and in the third
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Elliott conducted a study on the ri
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Mönckeberg Straße Spitaler Straß
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Ever since Douglas and Isherwood po
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and becomes the endless transformat
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social benefit should be apparent i
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ones display winter-garments, while
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year, the consumers go into a frenz
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Maybe in former times people would
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that the Enlightenment was sacrific
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Fashion is judged to death. I The D
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Fashion windows are clothed in dark
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Fashion mannequins are dressed in p
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Fashion mannequins are bound. VII T
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Fashion is thrown into the rummage
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Fashion’s throat is cut by the pe
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Fashion’s body is torn apart with
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Summary “Fashion prescribes the r
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zines, because it was the March iss
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Procession “Twice each year, the
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Two main aspects emerge from this d
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designer (sacral symbolism) and the
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their lives at this proven gateway
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the procession. 594 If Barthes is r
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endowing it with new value. In ritu
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on the symmetry of exchange within
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“To the extent to which there is
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out the question we must ask oursel
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during this period, we will have to
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Communitas also shows the garments
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culture does not merely use the str
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Procession The procession was an im
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Sacrifice The ancient Greek ritual
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Memento Mori “Remember your death
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Artistic Prototypes The dead manneq
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Wheel The wheel is an old symbol fo
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Iconoclasm Holy images have always
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Iconoclasm Throwing stones is an ol
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Index The Death of Fashion 285
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p. 272 Sale at Selfridges, garments
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Belk, Russel W./Wallendorf, Melanie
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Flusser, Vilém: The Shape of Thing
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Liessmann, Konrad Paul: Philosophie
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Schwanzer, Berthold Ch.: Die Erlebn
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Remarks Quotation Seen in the Show
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