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Schwanzer, Berthold Ch.: Die Erlebniswelt<br />

von Geschäften und Schaufenstern (Vienna:<br />

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Schwarz, Friedhelm: Nestlé. Macht durch<br />

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Selle, Gert: Geschichte des Design in<br />

Deutschland (Frankfurt/New York: DuMont,<br />

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Selle, Gert: Ideologie und Utopie des Design.<br />

Zur gesellschaftlichen Theorie der industriellen<br />

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Selle, Gert: “Produktkultur als gelebtes<br />

Ereignis/(Versuch zur Wahrnehmung von<br />

Aneignungsgeschichte)”, in Eisendle, Reinhard/<br />

Miklautz, Elfie (eds.): Produktkulturen. Dynamik<br />

und Bedeutungswandel des Konsums<br />

(Frankfurt am Main/New York: Campus, 1992),<br />

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Sen, Soshitsu: Chado. The Japanese Way of Tea<br />

(New York/Tokyo/Kyoto: Waterhill/Tankosha,<br />

1998).<br />

Sennett, Richard: Flesh and Stone. The body<br />

and the City in Western Civilization (New York/<br />

London: Norton & Company, 1996).<br />

Sennett, Richard: Respect in the World of<br />

Inequality (New York/London: Norton &<br />

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Slater, Don: Consumer Culture and Modernity<br />

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Sloterdijk, Peter: “Bilder der Gewalt – Gewalt<br />

der Bilder. Von der antiken Mythologie zur<br />

postmodernen Bilderindustrie”, in Maar,<br />

Christa/Burda, Hubert (eds.): Iconic Turn. Die<br />

neue Macht der Bilder (Cologne: DuMont,<br />

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Specht, Edith: “LANAM FECIT/War<br />

die Wollarbeit von Frauen OTIUM oder<br />

NEGOTIUM?”, in Sigot, Ernst (ed.): Otium<br />

– Negotium. Beiträge des interdisziplinären<br />

Symposiums der Sodalitas zum Thema Zeit<br />

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Spectator: “Frühling”, in Das Schaufenster.<br />

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(Vienna: Spitz, 1929), p. 3.<br />

Spies, Werner: “Die surrealistische Revolution”,<br />

in Spies, Werner (ed.): Surrealismus 1919-1944.<br />

Dali, Max Ernst, Magritte, Miró, Picasso...<br />

(Ostfildern: Hatje Cantz, 2002).<br />

Index<br />

Stafford, Barbara Maria: “Neuronale<br />

Ästhetik. Auf dem Weg zu einer kognitiven<br />

Bildgeschichte”, in Maar, Christa/Burda, Hubert<br />

(eds.): Iconic Turn. Die neue Macht der Bilder<br />

(Cologne: DuMont, 2005), pp. 103-125.<br />

Sturken, Marita/Cartwright, Lisa: Practices<br />

of Looking. An Introduction to Visual Culture<br />

(New York: Oxford University Press, 2001).<br />

Sykora, Katharina: “Merchandise Temptress.<br />

The Surrealistic Enticements of the Display<br />

Window Dummy”, in Grunenberg, Christoph/<br />

Hollein, Max (eds.): Shopping – A Century of<br />

Art and Consumer Culture (Ostfildern- Ruit:<br />

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Tambiah, Stanley J.: “A Performative Approach<br />

to Ritual”, in Proceedings of the British<br />

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Timmins, G. L.: Window Dressing. The<br />

Principles of “Display” (London: Sir Isaac<br />

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human Seriousness of Play (New York:<br />

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Vaizey, Marina: Christo (Recklinghausen:<br />

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Veblen, Thorstein: The Theory of the Leisure<br />

Class. An Economic Study of Institutions (New<br />

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Vidler, Anthony: The Architectural Uncanny.<br />

Essays in the Modern Unhomely (Cambridge:<br />

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Warhol, Andy: America (New York/Toronto:<br />

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Warnke, Martin: Aby Warburg. Der Bilderatlas<br />

MNEMOSYNE (Berlin: Akademischer Verlag,<br />

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Warnke, Martin: “Der Leidschatz der<br />

Menschheit wird humaner Besitz”, in Hofmann,<br />

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Über Aby Warburg (Frankfurt am Main:<br />

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Weber, Max: Economy and Society: An Outline<br />

of Interpretative Sociology (Berkeley/London:<br />

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Weibel, Peter/ Latour, Bruno (eds.): Iconoclash.<br />

Beyond the Image Wars in Science, Religion<br />

and Art (Cambridge/Karlsruhe: MIT Press/<br />

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