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unifies the shops around the world. Our visits to stores are gradually replacing<br />

visits to churches and other sightseeing attractions. Orientation in the commodity<br />

cosmos is consuming a lot of our attention. 359 And as we know, not all churches<br />

are the same. Some places are more holy than others, which is why pilgrims<br />

visit them. The same holds true of the holy places of consumption. Rituals structure<br />

religious life, and they structure consumption as well. The seasonal sales count<br />

among the calendar rites of consumer culture. They are not only performed by<br />

mass-market brands but also by couture brands. We find the two brands that<br />

announce their sale on the same day in the newspaper interesting to compare<br />

because the mass-market brand imitates the merchandising style of the couture<br />

brand, especially in the design of its show windows. The mass-market brand<br />

creates a distinctive show window by using a few expensive mannequins, good<br />

lighting and fashionable clothing, which is at times very close to the original. 360 It<br />

will be interesting to see how these stores stage their seasonal sale. We resumed<br />

our search after the weekend, and started with this couture shop:<br />

The show window is painted black: the sidewalls, the back wall, the floor and<br />

the ceiling. One mannequin is standing alone in the centre of the big black<br />

window. This headless mannequin is dressed in a black cocktail dress. Behind<br />

her, white petals fall from above. Black evening sandals stand among the white<br />

petals, which cover the entire floor. It seems as if it were snowing inside the show<br />

window. At first glance, nothing seems to announce the seasonal sale. Are we<br />

too early? And then we discern a small metal label among the petals on the<br />

floor saying: “merchandise on sale inside the shop”. That was all. No pricelist for<br />

the clothes on the mannequin. Once inside the shop, we look around in the<br />

show department. The shoes of the autumn/winter collection are presented<br />

nicely on the expensive shop fittings. Only a metal label on each of the shelves<br />

says: “sale”!<br />

It is not far from the couture shop to the other retailer. Just a few minutes<br />

later we find ourselves before the seasonal sale façade of the mass-market brand:<br />

The show window has a black backdrop. All the mannequins have been put away.<br />

Two scaffolding pillars hold a seasonal sale poster. The poster has a black background<br />

with white dots. When driving fast by it in the night, the dots on the<br />

poster look like snowflakes. In the centre of this dynamic creation is written:<br />

“up to 50%”. The number fifty is large, while the other information is in rather<br />

small print. When we enter the store, we find ourselves in front of tables with<br />

topsy-turvy piles of boots.<br />

359 The biggest producer of food in the world owns 8 500 local brands. See Schwarz (2000:17).<br />

360 As the mass-market brands are very fast in copying collections, the fashion pieces are often also similar in style.<br />

The<br />

Death<br />

of<br />

Fashion 145

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