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Flusser, Vilém: The Shape of Things.<br />

A Philosophy of Design (London: Reaktion<br />

Books, 1999).<br />

Foster, Hal: “The Artist as Ethnographer”, in<br />

Marcus, George E./ Myers, Fred R. (eds.):<br />

The Traffic in Culture. Refiguring Art and<br />

Anthropology (Berkeley/Los Angeles/London:<br />

University of California Press, 1995), pp. 302-309.<br />

Foucault, Michel: “Texts/Contexts: Of Other<br />

Spaces”, in Preziosi, Donald/Farago, Claire:<br />

Grasping the World. The Idea of the Museum<br />

(Aldershot/Hants: Ashgate Publishing Limited,<br />

2004), pp. 371-379.<br />

Foucault, Michel: Discipline and Punish. The<br />

birth of the Prison, trans. Alan Sheridan (New<br />

York: Vintage Books, 1995).<br />

Frazer, James George: The Golden Bough.<br />

A Study of Magic and Religion (Hertfordshire:<br />

Wordworth, 1993).<br />

Freedberg, David: The Power of Images.<br />

Studies in the History and Theory of Response<br />

(Chicago/London: University of Chicago Press,<br />

1991).<br />

Freud, Sigmund: “Totem and Taboo”, in The<br />

Basic Writings of Sigmund Freud, trans. and<br />

ed. A. A. Brill (New York: The Modern Library,<br />

1995), pp. 775-852.<br />

Friedmann, Ernst: “Über Schaufensterkunst”,<br />

in Das Schaufenster. Illustrierte Zeitschrift<br />

für geschäftlichen Fortschritt, no. 1 (Prague:<br />

1903), p. 1.<br />

Frutiger, Adrian: Signs and Symbols. Their<br />

Design and Meaning (London: Studio<br />

Editions, 1989).<br />

Gay, Paul du: Production of Culture/Culture<br />

of Production (London/Thousand Oaks/New<br />

Delhi: Sage, 1997).<br />

Geertz, Clifford: The Interpretation of Cultures<br />

(New York: Basic Books, 1973).<br />

Gennep, Arnold van: The Rites of Passage<br />

(Chicago: University of Chicago Press, 1960).<br />

Girard, René: Violence and the Sacred<br />

(London: Continuum, 1995).<br />

Givhan, Robin: Runway Madness (San<br />

Francisco: Chronicle Books, 1998).<br />

Goffman, Erving: Gender Advertisements<br />

(New York/San Francisco/London: Harper &<br />

Row, 1979).<br />

Goffman, Erving: Frame Analysis: An Essay<br />

on the Organisation of Experience (Boston:<br />

Northeastern University Press, 1986).<br />

Goldberg, RoseLee: Performance. Live Art<br />

1909 to the Present (London: Thames and<br />

Hudson, 1979).<br />

Index<br />

Graf, Fritz: Greek Mythology. An Introduction<br />

(Baltimore/London: John Hopkins University<br />

Press, 1993).<br />

Graves, Michael: “Ritual Themes in<br />

Architecture”, in Bourke, Julia (ed.): The<br />

Princeton Journal: Thematic Studies in<br />

Architecture, vol. 1 (Princeton: Princeton<br />

Architectural Press, 1983).<br />

Grimes, Ronald L. (ed.): Readings in<br />

Ritual Studies (Upper Saddle River:<br />

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Grimes, Ronald L.: Beginnings in Ritual<br />

Studies (Columbia, S.C.: University of South<br />

Carolina Press, 1995).<br />

Gross, Michael quoted in: Givhan, Robin:<br />

Runway Madness (San Francisco: Chronicle<br />

Books, 1998).<br />

Gross, Michael: Model. The Ugly Business of<br />

Beautiful Women (New York: Morrow, 1995).<br />

Groys, Boris: “The Artist as Consumer”, in<br />

Grunenberg, Christoph/Hollein, Max (eds.):<br />

Shopping – A Century of Art and Consumer<br />

Culture (Ostfildern- Ruit: Hatje Cantz<br />

Publishers 2002), pp.55-60.<br />

Groys, Boris: Über das Neue. Versuch einer<br />

Kulturökonomie (Munich/Vienna: Hanser,<br />

1992).<br />

Gruendl, Harald: “Ritual Design. An<br />

Introduction”, in Jonas, Wolfgang/Chow, Rosan/<br />

Verhaag, Niels (ed.): Design System Evolution-<br />

The Application of Systemic and Evolutionary<br />

Approaches to Design Theory, Design Practice,<br />

Design Research and Design Education<br />

(Bremen: University of the Arts Bremen,<br />

2005), Chapter 31, pp. 1-14.<br />

Grunenberg, Christoph/Hollein, Max (eds.):<br />

Shopping – A Century of Art and Consumer<br />

Culture (Ostfildern- Ruit: Hatje Cantz<br />

Publishers, 2002).<br />

Halbhuber, Lothar: Schaufenstergestaltung<br />

(Munich: Bruckmann, 1994).<br />

Hamburger Kunsthalle/The Andy Warhol<br />

Museum (eds.): Andy Warhol – Photography<br />

(Thalwil/Zurich/New York: Edition Stemmle,<br />

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Handke, Peter: “They are Dying Out”, in Handke,<br />

Peter, Plays: 1. Peter Handke, (Methuen<br />

world dramatists series) trans. Michael Roloff<br />

(London: Random House, 1997), pp 235-304.<br />

Haug, Wolfgang Fritz: Critique of Commodity<br />

Aesthetics: Appearance, Sexuality and<br />

Advertising in Capitalist Society (Cambridge:<br />

Polity Press, 1986).<br />

Hofmann, Werner (ed.): Luther und die Folgen<br />

für die Kunst (Munich: Prestel, 1983).<br />

Hollein, Hans: “Das Abendmahl”, in Burkhardt,<br />

Francois (ed.): Essen und Ritual (Berlin/<br />

Crusinallo: Alessi, 1981), pp. 32-43.<br />

292

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