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The huge façade of this boutique for young fashion is decorated with several<br />

mannequins. They are standing upright like soldiers. And they are wearing a red<br />

paper roll with the following inscription in white letters: “SALE”.<br />

Yet another case of the sacred ritual dress. The mannequins are white; their hair<br />

is abstracted. Since they are not wearing any clothes that would help identify<br />

their gender easily, they look androgynous. The sacred dress de-sexualises the<br />

body, creating an impression of saintliness. 369 The holy paper dress of the<br />

seasonal sale also perfectly fulfils what Turner has prescribed for the dress of<br />

the liminal phase, namely, that it should not be mundane, nor should it be worthy<br />

or express a social role. 370 And we can add the following rule for our consumer<br />

society: it should not be purchasable.<br />

369 Keenan (1999:389).<br />

370 Turner (1997:95).<br />

Innere Stadt<br />

148

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