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wear our “winter jacket” instead of our “summer jacket” when<br />
the weather conditions change. The need to wear warmer or<br />
cooler garments is thus a good reason for linking the fashion<br />
year to the natural seasons. This natural order can also be reflected<br />
in that of our wardrobes at home. During the cold season,<br />
all the pieces for summer have a place in the rear. This order<br />
is then changed when the seasons change. As in former times,<br />
we still have a representation of nature as an ordering structure<br />
in our homes, although behind closed doors. Maybe this is a<br />
hidden ritual in our consumer society according to which we<br />
also restructure the order of garments in our wardrobe in spring<br />
and autumn. This is when we become aware of the seasons and<br />
begin to mentally prepare ourselves for the warm or the cold<br />
time of the year. 100 The awakening of nature in spring, summer,<br />
and its change in autumn and winter are natural references for<br />
the dramatisation of fashion collections. This why we pointed<br />
out that the fashion industry has a natural reference for creating<br />
collections according to the seasons. What is not clear for the<br />
moment is why garments become outdated, and why we face<br />
new fashions two times a year. Why do several consumer groups<br />
feel the need to discard the previous season’s designs? What<br />
creates the social pressure to buy new clothes even though the<br />
old ones could still be used? What forces fashion shops to get rid<br />
of their stock of the past collection as fast as they can, and by any<br />
means? According to Thorstein Veblen, the reasons for it are<br />
manifold. In his Theory of the Leisure Class, Veblen argued that<br />
the change of fashion is motivated by the upper class’s desire to<br />
display its social status through demonstrative wastefulness, a<br />
wastefulness that creates prestige. Fashion, in this context, is<br />
a good medium for such efforts. Another way to show wastefulness<br />
is the creation of new fashion trends.<br />
”Having so explained the phenomenon of shifting fashions, the<br />
next thing is to make the explanation tally with everyday facts.<br />
Among these everyday facts is the well-known liking which<br />
all men have of the styles that are in vogue at any given time. A<br />
new style comes into vogue and remains in favour for a season,<br />
and, at least so long as it is a novelty, people generally find<br />
the style very attractive. The prevailing fashion is felt to be<br />
100 We are speaking from the middle European point of view, but fashion collections are introduced in the same way even in<br />
places such as Hong Kong where the seasons do not vary much. The show windows present pullovers and winter coats for<br />
the winter collection despite the hot weather conditions.<br />
Fashion Cycle<br />
38