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MARIAHILFER STRASSE<br />
This is a very busy shopping street, especially during the sales period.<br />
People are rushing up and down, hunting for bargains. We start our walk in a<br />
shopping centre:<br />
A young woman is staring at us. She has her arms behind her head. Her blonde<br />
hair is cut to the length of her chin and is slightly dishevelled. She is naked and<br />
is standing close to the show window, inside a boutique for young fashion. Her<br />
breasts are covered with a yellow poster saying “-50% SALE”. Two white bird’s<br />
wings cover her pudendum. On her left are two female mannequins without<br />
heads. One of them has the same yellow poster saying “-30%”, while the breasts<br />
of the other are covered with “-50%”. Both of them don the white bird’s wings.<br />
It is not 1937 and we are not in the surrealist exhibition of mannequins,<br />
although these mannequins would have fitted into it quite perfectly. 301 It is not<br />
Man Ray, Max Ernst or Salvador Dali who created these exhibits. The surrealist<br />
movement is long past, and we are not in a museum that has recreated these<br />
exhibits for a retrospective show of the surrealists’ work. This is real. Man Ray<br />
documented in photographs what the surrealists did with the nineteen mannequins<br />
that were abducted from the show windows of department stores. 302 We<br />
stand in front of a show window and wonder how the mannequins had managed<br />
to escape from an orgy in an art gallery. Placing the white bird’s wings on their<br />
pudenda is a surprisingly creative act of dressing the mannequins for the seasonal<br />
sale. The wings, like those of a baroque angel, are not attached to the back but to<br />
the genitals. Or are they not attached to anything and can fly away whenever<br />
they want, like birds startled by something that has escaped our notice? One bird<br />
leads while the others follow. 303 We will be left with the unprotected nakedness<br />
of the mannequins, caught in a Dionysian orgy of obscenity. Nakedness is the<br />
prerogative of the innocent, of children and the primitive. In our culture, we<br />
may only play a frivolous game with it. 304 And that’s what we do during the seasonal<br />
sale, but surprisingly not very consciously. All these aspects are located in<br />
301 Parrot (1982:153-157).<br />
302 Ibid.<br />
303 The seasonal sale is not regulated by laws today. A few shops in a shopping street start their sales, and then the others<br />
simply follow suit. So, at least all the birds are in the sky.<br />
304 Liessmann (2000:277).<br />
Mariahilfer Straße<br />
126