A PEPE ESCRICHE - Festival de Cine de Huesca
A PEPE ESCRICHE - Festival de Cine de Huesca
A PEPE ESCRICHE - Festival de Cine de Huesca
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ACTIVIDADES PARALELAS PARALLEL ACTIVITIES<br />
La revolución digital ha modificado el proceso <strong>de</strong> crear y producir cine. Este cambio<br />
ya no sólo afecta al largometraje sino que está empezando a formar parte <strong>de</strong> cualquier<br />
proceso <strong>de</strong> comunicación audiovisual. El concepto digital exige ser abordado<br />
<strong>de</strong>s<strong>de</strong> una visión 360º analizando todas sus consecuencias y reconociendo que el<br />
cine se apoya en la tecnología digital y que encontramos mucho lenguaje cinematográfico<br />
en otros formatos no tradicionales como son un spot; una web; un vi<strong>de</strong>ojuego,<br />
o incluso un vi<strong>de</strong>o casero colgado en youtube.<br />
MODERADOR:<br />
RAÚL CASAÑAS, ejecutivo <strong>de</strong> cuentas en Saatchi & Saatchi Healthcare, creador <strong>de</strong>l<br />
colectivo audiovisual The Holy Trinity Project, coordinador <strong>de</strong> la Motion Graphics<br />
Review <strong>de</strong>l <strong>Festival</strong> <strong>de</strong> <strong>Cine</strong> <strong>de</strong> <strong>Huesca</strong> y colaborador <strong>de</strong> MECAL Barcelona.<br />
www.motiongraphicsreview.com<br />
PONENTES:<br />
JUAN SILVA, director creativo ejecutivo <strong>de</strong> Shackleton, agencia <strong>de</strong> publicidad española<br />
que ha revolucionado la forma <strong>de</strong> enten<strong>de</strong>r la publicidad integrando en sus propuestas<br />
acciones realmente 360º don<strong>de</strong> la publicidad transcien<strong>de</strong> lo comercial. Trabaja<br />
la creatividad <strong>de</strong> clientes como Cepsa, Coca Cola, Ya.com, Caser Seguros, BMW,<br />
Altadis, Localia TV, La Carte <strong>de</strong>s Vins o Caja Madrid. www.shackletongroup.com<br />
SERGI CARBONELL, fundador <strong>de</strong>l estudio <strong>de</strong> motion SIXIS y profesor <strong>de</strong> la escuela <strong>de</strong><br />
diseño Elisava. Perfil multidisciplinar gráfico, televisivo, experimental y transversal<br />
ha trabajado para clientes como Nokia, Nike, Playstation, Schweppes, Camper, Red<br />
Bull, Timberland, Nesquik y es autor <strong>de</strong> la pieza intro 007 e intro 008 que abren la<br />
sección motion graphics review. www.sixis.net<br />
STRUENDO FILMAKERS, codirigido por la pareja <strong>de</strong> realizadores argentinos Juan Pablo<br />
Enis y Javier Gesto. Han producido y dirigido mas <strong>de</strong> 150 vi<strong>de</strong>os musicales para los<br />
artistas mas importantes <strong>de</strong> España recibiendo dos premios <strong>de</strong> la musica al mejor<br />
vi<strong>de</strong>oclip por Amaral y por Dover. Una biznaga <strong>de</strong> plata por Amaral y dos premios<br />
Promax por trabajos realizados para Calle 13. www.struendo.com<br />
MESA REDONDA<br />
ROUND TABLE<br />
¿QUÉ HAY DE<br />
DIGITAL EN EL CINE?<br />
WHAT ABOUT DIGITAL<br />
IN FILMMAKING?<br />
Jueves 12 <strong>de</strong> junio, 12h-14h.<br />
Thursday 12 th June 12h-14h.<br />
ACTIVIDADES PARALELAS PARALLEL ACTIVITIES<br />
Digital revolution has modified creation and production film process. This change<br />
affects not only long films but any audiovisual communication process. Digital<br />
concept needs to be focused on a 360º vision analyzing its consequences and<br />
recognising that filmmaking needs digital technology and that we find film language<br />
in other non-traditional formats such an ad, a website, a vi<strong>de</strong>ogame or even a homema<strong>de</strong><br />
vi<strong>de</strong>o uploa<strong>de</strong>d in youtube.<br />
INTRODUCTION:<br />
RAÚL CASAÑAS, accounts executive in Saatchi & Saatchi Healthcare, foun<strong>de</strong>r of the<br />
audiovisual group The Holy Trinity Project, coordinator of the Motion Graphics Review<br />
section in <strong>Huesca</strong> Film <strong>Festival</strong> and collaborator in MECAL Barcelona.<br />
www.motiongraphicsreview.com<br />
210 FESTIVAL INTERNACIONAL DE CINE DE HUESCA 2008 HUESCA INTERNATIONAL FILM FESTIVAL 2008 FESTIVAL INTERNACIONAL DE CINE DE HUESCA 2008 HUESCA INTERNATIONAL FILM FESTIVAL 2008 211<br />
SPEAKERS:<br />
JUAN SILVA, executive creative director of Shackleton, spanish ad agency that has<br />
break with the way of un<strong>de</strong>rstanding advertising integrating in their strategy and<br />
creativity real 360º actions. Their advertising goes further that only to the commercial<br />
part of communicating. They work for clients as Cepsa, Coca Cola, Ya.com, Caser<br />
Seguros, BMW, Altadis, Localia TV, La Carte <strong>de</strong>s Vins o Caja Madrid.<br />
www.shackletongroup.com<br />
SERGI CARBONELL, foun<strong>de</strong>r of SIXIS motion studio and professor in Elisava <strong>de</strong>sign<br />
School. Multi-skilled, in graphic and tv, experimental and transversal, he has worked<br />
for clients as Nokia, Nike, Playstation, Schweppes, Camper, Red Bull, Timberland,<br />
Nesquik. He is the author of intro 007 and intro 008 that opened the motion graphics<br />
review reel. www.sixis.net<br />
STRUENDO FILMAKERS, codirected by the team of argentinian directors Juan Pablo<br />
Enis y Javier Gesto. They have produced and directed more than 150 musical vi<strong>de</strong>os<br />
for the most important artists in Spain having received two national music awards<br />
for the best clip for Amaral and Dover, one silver Biznaga for Amaral and two Promax<br />
award for the works produced for Calle 13. www.struendo.com