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Fita ART INTEGRAT, 2005. - Fundació Fita

Fita ART INTEGRAT, 2005. - Fundació Fita

Fita ART INTEGRAT, 2005. - Fundació Fita

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1999 Tapís per l’Ajuntament<br />

de Girona.<br />

200 x 300 cm.<br />

Alt llís.<br />

L’Ajuntament de Girona, per mitjà d’en Carles Delclaux, em va<br />

encomanar un tapís, i com a contrapartida em faria una exposició<br />

a St. Nicolau per les Fires de Girona de 1999. En aquesta<br />

exposició, entre d’altres obres, hi tenia un moble fet en marqueteria.<br />

Tot va venir del fet que en Joan Tauleria volia que li<br />

fes el projecte d’un moble en marqueteria per celebrar el centenari<br />

de la seva fusteria, i jo li vaig demanar com a contrapartida<br />

de fer-me’n un per a mi, per enquibir-hi els blocs, per als<br />

quals no tenia un lloc concret.<br />

Si menciono ambdues obres, el tapís i el moble, és perquè crec<br />

que és molt bo valer-se de bons tècnics, com un bon tapisser i<br />

un bon ebenista, que també són bons artistes. L’ajuda i l’eficàcia<br />

de bons professionals de cara a un millor resultat en l’obra<br />

és evident.<br />

The town council of Girona, by means of Carles Delclaux,<br />

asked me for a tapestry, and as an exchange they would give me<br />

an exhibition at the St. Nicolau for the fiestas of Girona in<br />

1999. At this exhibition, among other works, I had a piece of<br />

furniture made of modelling. It all came out of the fact that<br />

Joan Tauleria wanted me to do him a project of a piece of furniture<br />

in modelling to celebrate the centenary of his carpenters<br />

shop, and I asked in exchange that he would do one for me, to<br />

put the blocks for which I had no specific place. If I mention<br />

both works, the tapestry and the piece of furniture, it is because<br />

I think that it is very good to value good techniques as a<br />

good upholsterer and a good carpenter, who also are good<br />

artists. The help and efficiency to achieve a better result in the<br />

work is evident.<br />

405

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