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Fita ART INTEGRAT, 2005. - Fundació Fita

Fita ART INTEGRAT, 2005. - Fundació Fita

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1965 Majestat Parròquia Sant<br />

Josep de Girona.<br />

75 cm alt.<br />

Talla de boix pirogravat.<br />

La idea del rector era fer un Crist Majestat que representés el<br />

triomf i el domini sobre la Creu, no del dolor i sí el gran sacerdot.<br />

És situat dins una creu de ferro, realitzada per l’arquitecte<br />

Masramon. A la fotografia es pot veure la intencionalitat espiritual<br />

de plasmar el sacerdot amb una estola creuada en forma<br />

d’ics. Tant a la cara com al vestit, la policromia és feta amb foc;<br />

a la cara, la barba, les celles i el cabell, que són parts que sobresurten,<br />

i també el vestit, ferros roents empremtats i línies de<br />

pirogravat. Queda suspès en l’aire, no pesa, és lleuger.<br />

Desapareixen els ulls, els dits, tots els petits accidents que no<br />

calen a la idea del sacerdot triomfant. Aquesta fou la intenció:<br />

buscar el mínim per dir el màxim.<br />

The idea of the rector was to make a Christ Majesty which represented<br />

the triumph and domination over the cross, not the pain,<br />

but yet the great priest. It is situated in an iron cross made by the<br />

architect Masramon. In the photograph one can see the spiritual<br />

intention of forming the priest with a stole crossed in the form of<br />

‘x’ es. The face as much as the clothing, the polychrome is made<br />

with fire; on the face, the beard, the eyebrows and the hair, which<br />

are parts which stand out, and also the clothing, imprinted redhot<br />

irons and lines of pyrography. It stays suspended in the air,<br />

weightless, light. The eyes disappear, the fingers, all the small<br />

accidents which are not necessary to the idea of a triumphant<br />

priest. This was the intention: look for simplification.<br />

79

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