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Fita ART INTEGRAT, 2005. - Fundació Fita

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86<br />

El més gran fa 4 x 16 m de llargada, i és fet amb ciment armat.<br />

L’estructura, a base de verticals i horitzontals, dóna lloc a uns<br />

espais que emmarquen cada peça del vitrall. Pel que fa a la<br />

temàtica, hi ha peces en forma de creu, aspa i pentàgons que,<br />

com si fossin adorns, van omplint la trama. El vitrall és lleugerament<br />

corbat, convex, per l’exterior. És interessant contemplar-lo,<br />

tant de l’exterior com de l’interior estant, a través de<br />

l’estructura rectangular i del color que tenyeix la llum interior,<br />

amb domini dels tons blaus, violetes i blancs.<br />

Hi ha dos vitralls situats a cada costat del presbiteri, també<br />

emmarcats en una estructura rectangular. Per no distreure l’atenció<br />

era necessari, al meu entendre, un teixit abstracte ampli<br />

amb elements repartits en el conjunt.<br />

1966 Guarderia Vilarroja-Girona.<br />

620 x 320 cm.<br />

Vitrall ciment armat.<br />

The largest is 400 x 1.600 cm in length, and is made of reinforced<br />

concrete. The structure, based on verticals and horizontals,<br />

gives place to spaces which frame each piece of the stained<br />

glass window. As far as the subject matter is concerned, there<br />

are pieces in the shape of a cross, asp and pentagonal which as<br />

if they were ornaments, widen the range. The stained glass window<br />

is slightly curved, convex, on the exterior. It is interesting<br />

to contemplate it, as much from the exterior as the interior,<br />

through the rectangular structure and of the colour which tints<br />

the interior light, with blue violet and white tones dominating.<br />

There are two stained glass windows situated on either side of<br />

the presbytery, also framed in a rectangular structure. So as not<br />

to distract attention, it was necessary, to my way of thinking, a<br />

wide abstract weave with repeated elements in the whole.

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