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Fita ART INTEGRAT, 2005. - Fundació Fita

Fita ART INTEGRAT, 2005. - Fundació Fita

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68<br />

Si bé el valor espiritual rau en l’actitud de les persones en grup<br />

o individualment, l’art n’és un catalitzador d’ambientació. En<br />

aquest cas, d’un St. Sebastià que havia de presidir una ermita,<br />

vaig pensar en el pretext manierista d’usar aquest sant per a<br />

representar el cos nu. Però vaig sentir-me impulsat a fondre les<br />

formes del cos en uns plans que s’enfilen, com una pregària.<br />

Les postures històriques en el si de la religió són tantes que<br />

voler-les frenar o estabilitzar per a l’esdevenidor seria un<br />

empobriment religiós i cultural.<br />

1964 Sant Sebastià.<br />

Capella Far. Llafranc.<br />

165 cm alt.<br />

Alabastre.<br />

If it is true that spiritual value, resides in the attitude of the people<br />

in a group or individually, art is still an atmospheric<br />

catalyst. In this case, of a St Sebastian which had to preside in<br />

a hermitage, I thought of the pretext of using this Saint to represent<br />

the nude body. But I felt compelled to melt the forms of the<br />

body into some planes which rose up, like a prayer. The historic<br />

postures themselves of religion are so many that the future<br />

waiting to put a brake or stabilise them, would be religious and<br />

cultural impoverishment.

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