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Brand, Identity and Reputation: Exploring, Creating New Realities ...

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Generally speaking, people use external cues such as hairstyles, jewelry, clothing <strong>and</strong> cosmetics to display gender,<br />

status, values, interests, opinions, lifestyles, roles, <strong>and</strong> other identity features. Indeed, as people use these nonverbal<br />

signs <strong>and</strong> symbols to communicate individual <strong>and</strong> group identity <strong>and</strong> form opinion on other people, as consumers they<br />

use such cues to infer the status of the store <strong>and</strong> the products sold in it <strong>and</strong> consequently they start to feel satisfied. In<br />

choice <strong>and</strong> buying tasks consumers show <strong>and</strong> form their situational self image (Schenk & Holman, 1980) that includes<br />

attitudes, perceptions <strong>and</strong> emotions with which a person would like to be associated to. Therefore, consumers decide to<br />

show the image that better fit a particular situation, thus assigning a greater value not only to possessions but also to the<br />

environment.<br />

Tattoo is a vehicle for human expression; for example, it may represent a signal of accomplishment (Gritton, 1988),<br />

group membership (Drewal, 1988), social status (Gathercole, 1988), willingness to please a lover (Bohannan, 1988), or<br />

temporary adornment (Rubin, 1988). Most of the literature associates the tattoo with the extended self; the tattoo<br />

reflects an image of the self that has positive symbolism rather than the inner self (Velliquette et al., 1998). Tattoo is an<br />

ultimate form of br<strong>and</strong>ing. According to the legend, the origin of the term br<strong>and</strong> comes from br<strong>and</strong>r, the Norse word for<br />

fire. It means to burn the mark of the producer onto the product that they made (Ritson, 2006).<br />

Structural anthropology (e.g., Levis-strauss, 1958; Barthes, 1983) is the natural hermeneutics framework for analyzing<br />

symbols, tattoos <strong>and</strong> fashion behavior. Fashion statements that are rich in rhetoric (van Leeuwin, 1983) allow<br />

researchers to decipher vestimentary codes <strong>and</strong> fashion value shaping the construction of consumers‘ self-congruency<br />

(Sirgy et al., 2000) <strong>and</strong> self-identity (Marion, 1983). Content analysis looks at the semiotics of a) body br<strong>and</strong>ing<br />

(tattoos), b) vestimentary codes, c) fashion br<strong>and</strong>s, <strong>and</strong> d) store image.<br />

The main result highlights the congruity between a consumer‘s identity <strong>and</strong> the store ambience. In general, the<br />

respondents match their personality with the store they patronize <strong>and</strong> the br<strong>and</strong>s they are buying. The first elements that<br />

contribute to the satisfaction process are the display (layout/furniture) <strong>and</strong> the staff attitude. The respondents pointed out<br />

that if the external environment is calm (cool), then it reflects in the internal situation (mind) <strong>and</strong> in the predisposition to<br />

shopping <strong>and</strong> it is more inclined to satisfaction.<br />

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