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Brand, Identity and Reputation: Exploring, Creating New Realities ...

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for underst<strong>and</strong>ing, Deshp<strong>and</strong>e <strong>and</strong> Webster (1989) provide a succinct description as a, 'shared pattern of beliefs <strong>and</strong><br />

values that shape behavioural patterns <strong>and</strong> norms' while Harris <strong>and</strong> Ogbonna (2002) offer, '... a pervasive eclectic,<br />

layered <strong>and</strong> socially constructed phenomenon which is generated through values, beliefs <strong>and</strong> assumptions but expressed<br />

through artefacts, structures <strong>and</strong> behaviours'.<br />

Smircich (1983) <strong>and</strong> Huczynski <strong>and</strong> Buchanan (2000) have pointed out there are two broad streams of thought on<br />

culture. One, the 'interpretivist', deriving more from the social sciences, has viewed organization as culture - culture<br />

being intrinsic to, <strong>and</strong> root metaphor for the organization as a collection of patterns of meanings, shared values <strong>and</strong><br />

behaviours that may be multi-layered, complex <strong>and</strong> dynamic (Alvesson, 2002). The other, the 'functionalist', on which<br />

the more management-oriented literature is founded, takes a perspective in which culture is seen as something an<br />

organization 'has' rather than 'is' (Wilson, 2001) - an internal variable which can, to an extent, be managed or changed,<br />

<strong>and</strong> which mediates <strong>and</strong> helps define organizational behaviour, performance <strong>and</strong> outcomes. To go some way towards<br />

reconciling these, Martin (1992) offers three perspectives on an organization's culture, those of integration,<br />

differentiation <strong>and</strong> fragmentation, which each recognise different degrees of complexity, difference, conflicts, layers<br />

<strong>and</strong> subdivisions within it.<br />

2. Organizational culture <strong>and</strong> performance<br />

The integration perspective, within which much of the more managerialist literature lies, is the more relevant for the<br />

research question posed here. It takes the functionalist view, described above, in which there is an assumption, to a<br />

degree at least, of there being a reasonably clear <strong>and</strong> shared set of values <strong>and</strong> assumptions within an organization. From<br />

this st<strong>and</strong>point, an organization's culture can be considered to have a direct influence on both its performance outcomes<br />

as well as its reputation with consumers <strong>and</strong> other stakeholders (Deal <strong>and</strong> Kennedy, 1982; Roberts <strong>and</strong> Dowling, 2002;<br />

Schneider 1980). Culture is seen as a medium which can act to enable, or conversely frustrate, managers in achieving<br />

organizational goals (Harrison, 1972; Moseley, 2007). However, scholars have offered differing perspectives on the<br />

relationship between culture <strong>and</strong> performance, <strong>and</strong> in various studies, what has been considered to constitute<br />

'performance' has differed widely. Kotter <strong>and</strong> Heskett (1992), for example, have shown evidence of a link between<br />

culture <strong>and</strong> some types of organizational financial performance, while Reid <strong>and</strong> Hubbell (2005) have identified certain<br />

elements in what have been described as 'performance cultures'. Other researchers have considered the role of some<br />

dimensions of culture as they affect performance, such as participative decision making, power sharing, support <strong>and</strong><br />

collaboration <strong>and</strong> tolerance for risk <strong>and</strong> conflicts (Ke <strong>and</strong> Wei, 2008), common commitment (Eicher, 2006; Campbell<br />

<strong>and</strong> Yeung 1991) <strong>and</strong> leadership style (for example, Goffee <strong>and</strong> Jones 1996; Leffingwell 2001). However, the literature<br />

in this area is fragmented <strong>and</strong> there is little consensus.<br />

3. Organizational culture <strong>and</strong> delivery of br<strong>and</strong> experience<br />

A successful corporate br<strong>and</strong> embodies a unique identity <strong>and</strong> set of values perceived as attractive <strong>and</strong> valuable by its<br />

consumers <strong>and</strong> other stakeholders, such as shareholders (Harris <strong>and</strong> de Chernatony 2001). Within the relatively new <strong>and</strong><br />

emerging br<strong>and</strong> delivery literature itself , there seems to be some agreement that a congruence between those values<br />

represented by the organization's br<strong>and</strong> (such as integrity, luxury, stylishness, fun, youthfulness etc.) - how the br<strong>and</strong><br />

presents itself to consumers <strong>and</strong> the outside world - <strong>and</strong> those values inherent within the organization's own culture, is<br />

critical to successful delivery of the expected br<strong>and</strong> experience to consumers <strong>and</strong> other stakeholders (De Chernatony<br />

<strong>and</strong> Cottam, 2006, 2008; Ind <strong>and</strong> Bjerke, 2007; Gotsi, Andriopoulos & Wilson, 2008). De Chernatony (1999) has<br />

proposed that one measure of what might be termed 'br<strong>and</strong> performance' is the gap between a br<strong>and</strong>'s perceived identity<br />

<strong>and</strong> its actual reputation with consumers who have experienced it. In this respect, particular aspects of a culture which<br />

encourage employees to 'live the br<strong>and</strong>' in order to deliver the experience it promises have been explored, such as<br />

organizational leadership (Vallaster <strong>and</strong> de Chernatony, 2006), internal communication (Chong, 2007) <strong>and</strong> employees'<br />

level of engagement <strong>and</strong> motivation (Harris <strong>and</strong> De Chernatony, 2001; Sartain & Schuman, 2006). Anisimova <strong>and</strong><br />

Mav<strong>and</strong>o (2003) have drawn attention to the importance of minimizing the perceptual gaps between internal<br />

(employee), external (customer) <strong>and</strong> strategic (senior management) groups of stakeholders in aiming to achieve<br />

alignment between the values prevalent in an organization's culture <strong>and</strong> those represented in its br<strong>and</strong>.<br />

Conclusions<br />

The paper reviews <strong>and</strong> attempts to draw together two str<strong>and</strong>s of literature relevant to the issue of successful delivery of<br />

br<strong>and</strong> experience in a co-creation context, in which successfully delivery <strong>and</strong> consumption of such an experience is seen<br />

as critical to an organization's ability to create long term, superior industry value. It concludes that, while there is<br />

growing scholarly <strong>and</strong> practitioner interest in this important area, the literature on the relationship between<br />

organizational culture <strong>and</strong> performance in terms of successful delivery of br<strong>and</strong> experience is both diverse <strong>and</strong><br />

embryonic, <strong>and</strong> no coherent body of theory as yet exists to underpin it. It seems clear that linkages do exist; researchers<br />

have identified particular elements of culture that may contribute to superior performance in terms of of br<strong>and</strong> delivery.<br />

However, there is little empirical evidence <strong>and</strong> the overall picture that emerges about the nature of this relationship<br />

between culture <strong>and</strong> 'br<strong>and</strong> performance' is as yet partial, complex <strong>and</strong> fragmented. Further work is necessary to<br />

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