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Brand, Identity and Reputation: Exploring, Creating New Realities ...

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firms can actually predict consumers‘ responses based on their patterns of multisensory stimulation, further supporting<br />

the view that br<strong>and</strong>s rely more <strong>and</strong> more on using interesting <strong>and</strong> multi-dimensional experiences in order to help<br />

customers feel fully satisfied with products <strong>and</strong> services (Zarantonello <strong>and</strong> Schmitt, 2010; Schmitt, 1999).<br />

Atmosphere(s): How <strong>and</strong> Why it Matters<br />

‗Atmosphere‘ is a concept which is both immediately understood by consumers <strong>and</strong> also notoriously difficult to define.<br />

However, it is well-recognized as a determinant <strong>and</strong> antecedent of consumer behavior in many contexts, including, but<br />

not limited to, retail <strong>and</strong>/or service settings (Bitner, 1992). Its multifarious effects have been studied extensively in the<br />

marketing <strong>and</strong> management literature. The applications of multisensory marketing are many <strong>and</strong> diverse <strong>and</strong> have been<br />

studied in both physical as well as virtual environments. Their applications in web retailing environments (e.g.<br />

Manganari, Siomkos <strong>and</strong> Vrechopoulous, 2009; Cheng, Wu <strong>and</strong> Yen, 2009) show that ambient effects such as light,<br />

colour <strong>and</strong> sound have a noticeable impact upon consumers‘ moods <strong>and</strong> their capacity for pleasure <strong>and</strong> arousal.<br />

Environmental variables have noticeable effects on individuals‘ behavior (Mehrabian <strong>and</strong> Russell, 1974) <strong>and</strong> affect their<br />

propensity to make purchasing decisions (Donovan <strong>and</strong> Rossiter, 1982; Wirtz, Mattila <strong>and</strong> Tan, 2000; Menon <strong>and</strong> Kahn,<br />

2001; Eroglu, Machleit <strong>and</strong> Davis, 2003). Multisensory stimuli such as music (Yalch <strong>and</strong> Spangenberg, 2000; Wilson,<br />

2003), colors <strong>and</strong> (Babin, Hardesty <strong>and</strong> Suter, 2003) <strong>and</strong> smells, odors <strong>and</strong> olfactory cues (Spangenberg et al., 1996;<br />

Chebat <strong>and</strong> Michon, 2003) also play a significant role in shaping consumers‘ behavior. To date, however, there has<br />

been no research on how these multisensory cues are used systematically as part of a corporate br<strong>and</strong>ing <strong>and</strong> identity<br />

programme within organizations.<br />

Method<br />

Two retail banks were chosen as the empirical site for this study because this sector is under-represented in the literature<br />

at present. To keep the research tractable, the study was limited to a single country. Desk-based reviews of the<br />

literature were undertaken; at the same time, it was noted by the researchers that corporate br<strong>and</strong>ing <strong>and</strong> image within<br />

retail banking sector was changing in practical terms. Our project is thus a first step towards addressing gaps in the<br />

literature as well as in practice.<br />

Several observational visits were paid to the banks by one of the researchers over a period of a year <strong>and</strong> a half, during<br />

which distinct changes in the physical layout of the site were observed. It was then decided to initiate informal<br />

conversations with staff in order to get a sense or ‗feel for‘ how such changes were developing <strong>and</strong> why. Based on<br />

these conversations, the bank was contacted to arrange interviews with staff. We also asked permission to interview<br />

customers who dropped into the branch. All employees contacted were enthusiastic <strong>and</strong> open to being interviewed. We<br />

decided to interview marketing <strong>and</strong> customer service managers whose role it was to ensure that a consistent ‗fit‘<br />

between customer experiences <strong>and</strong> the banking experience <strong>and</strong> environment, as well as frontline customer service staff.<br />

Notes were taken <strong>and</strong> all interviews were tape-recorded <strong>and</strong> transcribed, with the full agreement of the participants. Due<br />

to bank protocols, interviews lasted between 30 <strong>and</strong> 45 minutes instead of the usual hour to hour <strong>and</strong> a half <strong>and</strong> were<br />

semi-structured according to an interview guide. Questions included the length of time the employee had been with the<br />

company, his or her job role <strong>and</strong> educational background. They were also asked about how they perceived the corporate<br />

br<strong>and</strong> <strong>and</strong> image of the organization. Some simple definitions of ‗atmosphere‘ were given to staff to read before the<br />

interviews commenced, something which the respondents said they appreciated very much. The interviews ended with<br />

questions about how physical design as well as other elements (smell, sound, etc.) can be improved in future.<br />

Customers were asked similar questions but questions about their background <strong>and</strong> so on were obviously neither relevant<br />

nor appropriate to the project <strong>and</strong> so these were left out.<br />

The two banks are called Bank A <strong>and</strong> Bank B, for research purposes. Bank A is a local bank in Singapore with many<br />

branches located all over the isl<strong>and</strong>. Bank B is a multinational bank with a strong presence in Asia. In total, 12 bank<br />

employees were interviewed, 5 of them at Bank A <strong>and</strong> 7 of them in Bank B. In addition, 15 customers (10 for Bank A<br />

<strong>and</strong> 5 for Bank B) were interviewed.<br />

Findings<br />

One outst<strong>and</strong>ing finding from our interviews with bank managers, employees <strong>and</strong> customers is that expectations of<br />

banks‘ environments, services <strong>and</strong> overall experience – atmosphere, in other words – were changing. It was the general<br />

consensus among managers <strong>and</strong> employees at both banks that the role of banks was changing, <strong>and</strong>, with it, customers‘<br />

expectations. A few spoke of the locations in which banks chose for their premises. Several key branches, interesting,<br />

were located with Starbucks coffee outlets, premium bakeries, supermarkets <strong>and</strong> even high-fashion stores.<br />

As a result, the corporate image of banks was changing from being ‗merely‘ highly professionalized, business-oriented<br />

<strong>and</strong> profit-driven to a servicescape in which customer service in all its different aspects was embraced. The appetite for<br />

‗change‘ was also a recurring theme for respondents:<br />

‗Our bank is located in the central business district, as you can see, but we don‘t just want to portray a ‗strictly<br />

business‘ atmosphere. Why not change our image? Many of our clients drop in for coffee at Starbucks <strong>and</strong> we are part<br />

of that jazzy feel…‘ (Assistant marketing director, Bank A).<br />

Bank A‘s employees tended to feel they were part of a changing trend in how banking institutions were perceived.<br />

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