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The Role of Niche Tourism Products in Destination - Repository ...

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w<strong>in</strong>e region. Both push (<strong>in</strong>ternal desires such as learn<strong>in</strong>g about the w<strong>in</strong>e) and pull (external motives such as eat<strong>in</strong>g at the w<strong>in</strong>ery<br />

restaurant) factors exist <strong>in</strong> a w<strong>in</strong>e tourist decision mak<strong>in</strong>g process as visit<strong>in</strong>g a w<strong>in</strong>ery is rarely a casual decision (Yuan et al., 2005).<br />

Brown, Havtiz and Getz discuss how, <strong>in</strong> terms <strong>of</strong> <strong>in</strong>volvement, w<strong>in</strong>e is ‘the type <strong>of</strong> product with which consumers may become<br />

totally immersed or which may leave them relatively ambivalent’ (Brown, Havtiz and Getz, 2006, p.34). Locksh<strong>in</strong> and Spawton<br />

(2001) also attempt to differentiate between high and low <strong>in</strong>volvement w<strong>in</strong>e tourists. This idea is progressed by Ravenscr<strong>of</strong>t and<br />

Wester<strong>in</strong>g who whilst referr<strong>in</strong>g to Stebb<strong>in</strong>s (1996) work on serious leisure, describe w<strong>in</strong>e tourists as people act<strong>in</strong>g ’as an amateur <strong>in</strong><br />

a moral career’ (Ravenscr<strong>of</strong>t and Wester<strong>in</strong>g, 2001, p.159) through which they engage with w<strong>in</strong>e pr<strong>of</strong>essionals. Although some<br />

researchers (Locksh<strong>in</strong> and Spawton, 2001; Charters and Pettigrew, 2006) have discussed the nuances <strong>of</strong> high-end and high-<br />

<strong>in</strong>volvement consumers <strong>in</strong> relation to w<strong>in</strong>e consumption, little research has been done to explore 'the relative heterogeneity <strong>of</strong> high<br />

<strong>in</strong>volvement participants’ (Brown, Havitz and Getz, 2006, p.32). Charters et al. expand this to state that ‘understand<strong>in</strong>g the w<strong>in</strong>e<br />

tourist tast<strong>in</strong>g room and experiences is important to allow w<strong>in</strong>ery manager to better meet those expectations’ (Charters et al., 2009,<br />

p.131) <strong>The</strong>re is also a need to differentiate between the tourist’s experience with a small w<strong>in</strong>e tourism operator <strong>of</strong>fer<strong>in</strong>g a wider<br />

cultural experience, and with a mass tourism experience (Charters et al., 2009).<br />

Visit<strong>in</strong>g w<strong>in</strong>e festivals is one activity with<strong>in</strong> the overall w<strong>in</strong>e tourism experience. W<strong>in</strong>e Festivals can therefore provide substantial<br />

public relations value, help to attract a greater range <strong>of</strong> attendees, diversify the visitor base and help to create loyalty to the<br />

dest<strong>in</strong>ation and the <strong>in</strong>dividual w<strong>in</strong>eries thus reveal<strong>in</strong>g a ‘unique synergy between w<strong>in</strong>e, special events and leisure travel’ (Yuan et<br />

al., 2005 p.54). Taylor and Shanka’s (2002) work exam<strong>in</strong><strong>in</strong>g the use <strong>of</strong> festivals <strong>in</strong> the Swan Valley region <strong>of</strong> Perth show how as a

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