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The Role of Niche Tourism Products in Destination - Repository ...

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Figure 3 demonstrates the range <strong>of</strong> research methods that have guided and been adopted by the papers presented <strong>in</strong> this critical<br />

appraisal. Develop<strong>in</strong>g a tourism research model presented by Pansiri (2005) the figure illustrates the methodological journey my<br />

research has taken.<br />

3.2 <strong>The</strong> Development <strong>of</strong> Critical <strong>Tourism</strong> Research<br />

It is constructive to analyse my research methodology aga<strong>in</strong>st the development <strong>of</strong> current research <strong>in</strong> tourism. Tribe (2007)<br />

observes that there have been between three and five key paradigms – positivism, post-positivism, <strong>in</strong>terpretivism, critical theory<br />

and constructivism – which have <strong>in</strong>formed tourism research. Chambers (2007a) also notes how to date there have been two critical<br />

evaluations <strong>in</strong>to the state <strong>of</strong> tourism enquiry. <strong>The</strong> first <strong>in</strong> 2000 by Riley and Love (pre 1996 research) and the second <strong>in</strong> 2004 by<br />

Phillimore and Goodson (post 1996). Both focused specifically on the evaluation <strong>of</strong> qualitative tourism research with<strong>in</strong> Denz<strong>in</strong> and<br />

L<strong>in</strong>coln’s (1998) framework. Riley and Love (2000) concluded that tourism research is heavily dom<strong>in</strong>ated by positivist research with<br />

little critical contribution by <strong>in</strong>terpretivist researchers. <strong>The</strong> exam<strong>in</strong>ation <strong>of</strong> post-1996 articles had similar f<strong>in</strong>d<strong>in</strong>gs notably the lack <strong>of</strong><br />

any reflexive accounts and the dom<strong>in</strong>ation <strong>in</strong> the text <strong>of</strong> the author’s voice as ‘expert’ (Goodson and Phillimore, 2004). Positivistic<br />

tendencies were seen to be prom<strong>in</strong>ent <strong>in</strong> research design and methodology. <strong>The</strong>se <strong>in</strong>cluded studies - based on predeterm<strong>in</strong>ed rigid<br />

research agenda; that place little or no emphasis on methodological issues; that seek to quantify qualitative data and studies aimed<br />

at tourism typologies. <strong>The</strong> latter is important to this critical appraisal as research aimed at generat<strong>in</strong>g these typologies (Cohen and<br />

Taylor, 1976; Urry, 1990; Doxey, 1975; Smith, 1977) has failed to provide valuable <strong>in</strong>sights <strong>in</strong>to the complexity <strong>of</strong> tourism<br />

<strong>in</strong>teractions at an experimental or emotional level. Wear<strong>in</strong>g and Wear<strong>in</strong>g argue for a move away from simplistic typologies to a<br />

more analytical and flexible conceptualisation with<strong>in</strong> the research process enabl<strong>in</strong>g the recognition <strong>of</strong> ‘the ‘tourist gaze’; the tourist<br />

‘dest<strong>in</strong>ation’; the market<strong>in</strong>g ‘image’ and the ‘visit’’ (Wear<strong>in</strong>g and Wear<strong>in</strong>g, 2001, p.151). <strong>The</strong> review also revealed that, like this

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