The Role of Niche Tourism Products in Destination - Repository ...
The Role of Niche Tourism Products in Destination - Repository ...
The Role of Niche Tourism Products in Destination - Repository ...
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Another clear result <strong>of</strong> this research is the verification that w<strong>in</strong>e education can ‘value add’ and provides someth<strong>in</strong>g ‘extra’ to the<br />
w<strong>in</strong>e tourism product.<br />
My more recent work cover<strong>in</strong>g festival and event tourism (Papers 6 – 9 and 13), has adopted a more theoretical stance contribut<strong>in</strong>g<br />
to a limited body <strong>of</strong> work, particularly <strong>in</strong> the area <strong>of</strong> fr<strong>in</strong>ge festivals. <strong>Niche</strong> tourism products at the mature stage <strong>of</strong> the product life<br />
cycle, notably festivals and events, are a key part <strong>of</strong> this critical appraisal. <strong>The</strong> key contribution <strong>of</strong> the papers <strong>in</strong> this section is <strong>in</strong><br />
provid<strong>in</strong>g <strong>in</strong>sights <strong>in</strong>to stakeholder <strong>in</strong>volvement, festival leadership, festival management <strong>in</strong>novation and failure and the challenges<br />
festivals face <strong>in</strong> the event life cycle. Pasanen et al. remark on how ‘festivals and events have become a critical component <strong>of</strong> the<br />
overall tourism product’ (Pasanen et al., 2009, p.126). Robertson et al. also comment on the need for further research <strong>in</strong>to<br />
stakeholder <strong>in</strong>terest, impact and conflict as exist<strong>in</strong>g research is limited to a small number <strong>of</strong> festivals and ‘there are risks <strong>in</strong><br />
attempt<strong>in</strong>g to generalise the f<strong>in</strong>d<strong>in</strong>gs’ (Robertson et al., 2009, p. 162). Paper 9 makes an orig<strong>in</strong>al contribution to festival<br />
management and stakeholder analysis, and adds to the limited literature on festival management and <strong>in</strong>novation.<br />
Paper 6 also argues for more creativity and <strong>in</strong>novation with<strong>in</strong> festival leadership. Its key contribution lies not only <strong>in</strong> the research<br />
f<strong>in</strong>d<strong>in</strong>gs but <strong>in</strong> the methodology as it is one <strong>of</strong> the first festival and event studies to employ the use <strong>of</strong> repertory grids, produc<strong>in</strong>g<br />
data with a pragmatic value to the festival community. <strong>The</strong> constructs (leadership; focus; relationship with the community; decision-<br />
mak<strong>in</strong>g; fund<strong>in</strong>g and history) identified <strong>in</strong> the research and sub-constructs presented figuratively give further <strong>in</strong>sights <strong>in</strong>to what<br />
affects the creative and <strong>in</strong>novative potential <strong>of</strong> festival leaders.