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The Role of Niche Tourism Products in Destination - Repository ...

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events to be viewed as ‘white elephants’, expos<strong>in</strong>g dest<strong>in</strong>ations to huge f<strong>in</strong>ancial risk and not fully utilis<strong>in</strong>g the additional<br />

<strong>in</strong>frastructure developments, however this was not the case <strong>in</strong> Manchester (Getz, 1997). It was clear from the start <strong>of</strong> the plann<strong>in</strong>g<br />

for the Manchester Commonwealth Games that the key themes <strong>of</strong> the organisers and management team were economic<br />

regeneration and the enhanc<strong>in</strong>g <strong>of</strong> the image <strong>of</strong> Manchester. Through the use <strong>of</strong> educational, environmental, social and community<br />

programmes the games facilitated not only the economic regeneration <strong>of</strong> a deprived area <strong>of</strong> the city but provided world class<br />

sport<strong>in</strong>g facilities for future events and helped to develop a cultural legacy with little ongo<strong>in</strong>g costs to the local residents (Carlsen<br />

and Taylor, 2003).<br />

Mov<strong>in</strong>g away from mega events to smaller niche market, or special <strong>in</strong>terest, festivals 3 , research is limited. <strong>The</strong> work <strong>of</strong> Frew (2006)<br />

exam<strong>in</strong>es the role <strong>of</strong> these festivals <strong>in</strong> establish<strong>in</strong>g and develop<strong>in</strong>g tourism at dest<strong>in</strong>ations, and the vital role they play <strong>in</strong> develop<strong>in</strong>g<br />

repeat visitation. <strong>The</strong> anticipation <strong>of</strong> Reis<strong>in</strong>ger’s (1994) deep cultural experience dur<strong>in</strong>g the festival may act as a key differentiator<br />

for the festival dest<strong>in</strong>ation. Festivals have been described by Hughes (2000) as special events where activities are concentrated<br />

over a short time frame and tend to have a more cultural focus. <strong>The</strong>re is a substantial body <strong>of</strong> work around the area <strong>of</strong> ‘Festival<br />

<strong>Tourism</strong>’ (Formica and Uysal, 1998; Rob<strong>in</strong>son, Picard and Long, 2004; McKercher et al., 2006), <strong>of</strong>ten reveal<strong>in</strong>g a lack <strong>of</strong> concern<br />

for tourism development, customer needs and commercial realities. Frew (2006) discusses the characteristics <strong>of</strong> niche market<br />

festivals, l<strong>in</strong>k<strong>in</strong>g them to Stebb<strong>in</strong>s (1996) serious tourism to expla<strong>in</strong> attendance and satisfaction levels. Prentice and Anderson<br />

(2003) also suggest that serious leisure consumers represent a dist<strong>in</strong>ct niche market <strong>of</strong> the visitors to the Ed<strong>in</strong>burgh Festivals that<br />

they exam<strong>in</strong>ed. Reis<strong>in</strong>ger l<strong>in</strong>ks the concept <strong>of</strong> cultural tourism to niche market festival consumers as they are <strong>of</strong>ten look<strong>in</strong>g for a<br />

3 A niche market festival is ‘one with a highly specialised content which appeals to particular aficionados and/or connoisseurs and requires a certa<strong>in</strong> level <strong>of</strong><br />

expertise, knowledge or skill to fully appreciate the festival’ (Frew, 2006, p.75).

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