Blackstone's Tower: The English Law School - College of Social ...
Blackstone's Tower: The English Law School - College of Social ...
Blackstone's Tower: The English Law School - College of Social ...
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<strong>Law</strong> <strong>School</strong> Culture: A Visit to Rutland<br />
pr<strong>of</strong>essional school, involved at all levels <strong>of</strong> pr<strong>of</strong>essional formation<br />
and development, nor to diversifying its activities along the lines<br />
<strong>of</strong> the I.L.C. model. 63 Almost all non-degree teaching and other<br />
outside activities are done on an individual rather than an institutional<br />
basis. At undergraduate level, so long as the faculty is too<br />
ambivalent and divided to provide a clear lead and messages from<br />
the pr<strong>of</strong>ession are ambiguous, it seems that a narrow and probably<br />
deluded set <strong>of</strong> vocational attitudes is likely to continue to dominate<br />
student culture and to condemn the institution to be and to be<br />
treated as little more than a mediocre nursery school for the<br />
pr<strong>of</strong>ession.<br />
Notes<br />
Cited by Milton Mayer, in Robert Maynard Hutchins: A Memoir (1993) at pp.<br />
97-98.<br />
Becher, Academic Tribes and Territories, op. cit.<br />
ibid at p. 79.<br />
Becher suggests that an academic culture should be interpreted in terms <strong>of</strong> the<br />
nature <strong>of</strong> knowledge and the workings <strong>of</strong> the academic community and their<br />
interaction (Chap. 1). I am following his lead and I shall later be considering in<br />
turn the law library, the nature <strong>of</strong> contemporary legal scholarship, whether the<br />
discipline <strong>of</strong> law has a stable core, and what, if anything, it has to <strong>of</strong>fer in the<br />
way <strong>of</strong> understanding law itself and more general understandings. Other, rather<br />
different, "ethnographic" studies <strong>of</strong> academic life include F. Bailey, Morality and<br />
Expediency: <strong>The</strong> Folklore <strong>of</strong> Academic Politics (1977); Colin Evans, Language<br />
People: the experience <strong>of</strong> teaching and learning modem languages in British universities<br />
(1988).<br />
Rutland is a composite. As in other works <strong>of</strong> fiction any resemblance that it bears<br />
to any particular institutions is incidental.<br />
Between 1986 and 1993 the staff-student ratio <strong>of</strong>ficially declined from 1:12 to<br />
1:18, but this was partly mitigated by the increased amount <strong>of</strong> teaching provided<br />
by part-timers, about half <strong>of</strong> whom were practising solicitors. "Student load"<br />
refers to "full-time equivalents" rather than "warm bodies", <strong>of</strong> which, at a guess,<br />
there are over 1000, including part-time and modular students.<br />
Below, Chap. 5.<br />
KLRM pp. 63-65 (Underhill Moore's parking studies).<br />
Arthur Sutherland, <strong>The</strong> <strong>Law</strong> at Harvard, (1967) at p. 243. <strong>The</strong> elite American law<br />
school is generally considered to be a total institution, more demanding, terrifying,<br />
and competitive than its younger <strong>English</strong> cousin, cf. the hostile reaction <strong>of</strong><br />
a student to Langdell Hall in Scott Turow, One L (1977) at p. 36. <strong>The</strong> exterior<br />
<strong>of</strong> the Senate House <strong>of</strong> the University <strong>of</strong> London is decorated with images <strong>of</strong><br />
famous sages and scholars; there is a rumour (unconfirmed) that the Faculty <strong>of</strong><br />
<strong>Law</strong> <strong>of</strong> one Latin American university has a mural depicting Justice with loaded<br />
scales and one eye peeping out <strong>of</strong> her blindfold. <strong>The</strong> exterior <strong>of</strong> my own law<br />
school at University <strong>College</strong>, much smaller than these, but still quite grand, has<br />
some unobtrusive reliefs depicting artisans and workers, hinting that, contrary<br />
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