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Blackstone's Tower: The English Law School - College of Social ...

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<strong>Law</strong> in Culture and Society<br />

accessible to non-specialists and to exhibit its superiority to other<br />

systems. My aims are more modest and less chauvinistic, but the<br />

concern to make law more accessible is shared.<br />

Secondly, Blackstone as expositor represents the dominant<br />

<strong>English</strong> academic tradition, which has never gone unchallenged.<br />

Thirdly, <strong>Blackstone's</strong> tower was not and is not a tower <strong>of</strong> ivory.<br />

Here, it symbolises <strong>English</strong> law schools collectively, rather than<br />

any individual institution. <strong>Law</strong> as a discipline is constantly fed with<br />

practical problems and materials from the "real world": actual<br />

rather than hypothetical cases; proposals for legislative reform; and<br />

social problems from domestic violence and crime to world peace<br />

and environmental survival. Blackstone himself was not only an<br />

expositor: a scholar by temperament, he had wide experience as<br />

a barrister, member <strong>of</strong> Parliament, judge and academic statesman.<br />

He was only moderately successful as a man <strong>of</strong> affairs, but as a<br />

writer all <strong>of</strong> his work was imbued with practical concerns.<br />

Fourthly, <strong>Blackstone's</strong> tower is argumentative, dialectical, filled<br />

with lively debate; but it is not as chaotic as Babel: some <strong>of</strong> the<br />

debate is formal, structured, even ritualistic; some is conducted in<br />

a peculiar tongue, the language <strong>of</strong> the common law. Legal talk has<br />

always been quite varied; recently some spaces have been created<br />

in which one can sometimes hear previously unheard voices telling<br />

their stories, notably women, minorities and the oppressed. When<br />

one contemplates the titles <strong>of</strong> articles in the rapidly proliferating<br />

legal journals, one wonders how to make sense <strong>of</strong> it all. So much<br />

seems specialised or obscure or repetitious or trivial, but it is more<br />

like babble than Babel.<br />

A tower is itself an ambiguous symbol, conjuring up images <strong>of</strong><br />

ancient fortifications, Victorian follies, and modern high rises, such<br />

as Centre Point or Canary Wharf. <strong>The</strong> disorganisation <strong>of</strong> the<br />

common law is <strong>of</strong>ten portrayed through architectural analogies.<br />

Blackstone himself compared <strong>English</strong> <strong>Law</strong> to "an old Gothic castle,<br />

erected in the days <strong>of</strong> chivalry but fitted up for a modern inhabitant".<br />

6 His aim was to exhibit "the model <strong>of</strong> the old house" and to<br />

expose and criticise "the new labyrinth" created by ill-considered<br />

piecemeal legislative interventions. 7 Blackstone emphasised the<br />

evolutionary nature <strong>of</strong> the common law and its concern with particular,<br />

practical knowledge, both <strong>of</strong> which are also characteristics<br />

<strong>of</strong> our law schools. Later an American jurist, Karl Llewellyn, contrasted<br />

the classical lines <strong>of</strong> codified civilian systems to the crude<br />

architecture <strong>of</strong> old New England farm-houses . .." like a kind <strong>of</strong><br />

Topsy, with neither head nor tail nor plan, that just growed". 8

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