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Shadow Dancer Screenplay - Raindance Film Festival

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9.<br />

He opens the briefcase again, takes out a tape, fires it<br />

into a machine.<br />

The screen flickers into life with GRAINY footage of a riot<br />

in 1970s Belfast; shouts, rubber bullets, tear gas. The<br />

camera is on two youths trying to light a PETROL BOMB when,<br />

in the corner of frame, an eleven-year-old boy can clearly<br />

be seen emerging from a side street. He glances about,<br />

naive and curious. A SHOT rings out and he falls. For a<br />

moment, no one reacts. There’s a scream. The film shakes as<br />

the cameraman runs and then we are on the boy. He is PALE-<br />

FACED, SHOCKED, DYING.<br />

The camera PANS UP to a girl running down the side-street<br />

towards him. A young COLLETTE. She screams ‘Sean, Sean...’<br />

The cameraman is pushed roughly back by the youths.<br />

RYAN hits the pause button.<br />

EXT. DEEP IN SOUTH ARMAGH COUNTRYSIDE - NIGHT<br />

It’s a filthy, windswept evening. Assistant Chief Constable<br />

TREVOR LONG stands by the door of a pavilion. Some of his<br />

men lurk in the hedgerows. LONG is Northern Ireland’s<br />

intelligence chief and his every battered feature screams<br />

of bitter, hard-fought experience. A car guns down the<br />

lane, lights spinning in the darkness. A little rat of a<br />

man named GINGY HUGHES steps out.<br />

LONG<br />

You’re late.<br />

They step into the pavilion. The wind whistles through the<br />

rafters and worries at the windows.<br />

GINGY<br />

To what do I owe the pleasure?<br />

They sit close on the bench, facing out. There’s plenty of<br />

history between these two men.<br />

LONG<br />

You’ve been getting difficult,<br />

Gingy, and careless.<br />

GINGY<br />

Don’t send me out with amateurs.<br />

LONG<br />

Your handlers are the best. It’s<br />

you that’s the problem.<br />

GINGY<br />

I’ve had enough. You don’t own<br />

me, you know.<br />

A beat. Yes he does.

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