Shadow Dancer Screenplay - Raindance Film Festival

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105. COLLETTE What’s going to happen tomorrow? GERRY Something to make the world think again. What? COLLETTE GERRY You’ll see. COLLETTE Will we walk away from it? GERRY I’ve planned well, Collette. He glances at his watch. GERRY (CONT’D) Let’s turn in. It’s an early start. CRASH CUT TO: INT. SAFE HOUSE - SOUTH ARMAGH - NIGHT KEVIN MULGREW swings a punch. PADDY absorbs it, rocks in the chair to which he is tied. He is naked, covered in sweat and blood. MULGREW. We’ll get to the truth in the end, Volunteer McVeigh. INT. PARIS HOTEL - NIGHT GERRY is turning in, still more or less fully dressed. COLLETTE lies in the single bed next to him. GERRY takes out a pistol and puts it under his pillow. He switches out the light. GERRY Can I trust you, Collette? COLLETTE Of course. GERRY The world’s changing. Nobody is the same...
106. He takes out the pistol and places it on his chest. GERRY (CONT’D) I won’t sleep tonight. It sounds like a threat... INT. MI5 HEADQUARTERS - OPERATIONS ROOM - NIGHT MI5 CHIEF BUCHANAN is surrounded by men, including RYAN and BRIAN ALLEN. OPERATIONS OFFICER We’ve worked the manifests. Eight hundred and seventy-seven couples checked into flights to Europe out of Dublin yesterday. No passport aliases we’ve seen before, but that doesn’t mean anything. I’ve put Maddocks and Hermitage over there to help. BUCHANAN Where did they go? OPERATIONS OFFICER Could be anywhere; Lisbon, Berlin, Madrid. But we’ve pegged Brussels and Paris, because they offer multiple routes into London. We’ve alerted the French and the Belgians. They have all the airports and ferries covered. BUCHANAN half turns. BUCHANAN Anything to add, Mr. Ryan? No. RYAN No answer. BUCHANAN Any idea why she hasn’t called in? BUCHANAN (CONT’D) She is full of remorse, you said, troubled by the immense suffering she has helped create. I believe that’s why we authorised you to spend more than a year of your life on her tail. Or did you just fall for a pretty face?
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Shadow Dancer by Tom Bradby Based o
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2. As we follow her down the hill,
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4. COLLETTE moves to the toilet, lo
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6. No answer. The cop flips open a
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8. INT. OBSERVATION ROOM OUTSIDE TH
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10. LONG Don’t play games, Gingy.
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12. She looks furious. RYAN (CONT
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14. No answer. RYAN (CONT’D) You
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16. RYAN We haven’t lost an agent
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18. He glances at a photograph of a
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20. She nods. She stares out of the
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22. BUCHANAN You’re not going to
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24. MULGREW. Who signed you up, Gin
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26. INT. A TRAIN APPROACHING BELFAS
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28. INT. COLLETTE’S HOME - KITCHE
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30. PADDY Aaagh! You little bugger.
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32. COLLETTE kisses her daughter an
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34. A soldier suddenly blocks her w
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36. She breaks away, staggers. She
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38. HEADTEACHER (CONT’D) I know t
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40. MULGREW. We need to talk about
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42. INT. BOOK-SHOP - CAMDEN - CONTI
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44. MARK What is it, Mam? COLLETTE
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46. VOICE (O.S.) I’m Richard McIl
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48. RYAN Of course. COLLETTE I don
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50. INT. POLICE HEADQUARTERS IN BEL
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52. A beat. ALLEN shrugs. RYAN (CON
Page 55 and 56: 54. Yes. COLLETTE The driver pulls
Page 57 and 58: 56. INT. HENDERSON’S HOUSE ON THE
Page 59 and 60: 58. EXT. STREET - CONTINUOUS. It al
Page 61 and 62: 60. INT. COLLETTE’S HOME - KITCHE
Page 63 and 64: 62. She glances up. She has no idea
Page 65 and 66: 64. INT. CAR - A FEW MINUTES LATER.
Page 67 and 68: 66. MULGREW. (CONT'D) Or did one of
Page 69 and 70: 68. INT. BELFAST’S ROYAL VICTORIA
Page 71 and 72: 70. INT. IRA CHIEF OF STAFF’S DAI
Page 73 and 74: 72. EXT. MILLTOWN CEMETERY - DAY A
Page 75 and 76: 74. We’re CLOSE again on Gerry. H
Page 77 and 78: 76. He stares at her. And he turns
Page 79 and 80: 78. GIRL Wolf Tone called. The pass
Page 81 and 82: 80. RYAN doesn’t answer. No point
Page 83 and 84: 82. ALLEN (CONT'D) Maybe that’s w
Page 85 and 86: 84. INT. COLLETTE’S HOME - LIVING
Page 87 and 88: 86. EXT. A SNOWY HILLTOP FIELD IN S
Page 89 and 90: 88. No answer. He stops the car. GE
Page 91 and 92: 90. A long silence. GERRY You want
Page 93 and 94: 92. COLLETTE (agitated) I’ve made
Page 95 and 96: 94. COLLETTE I don’t know... RYAN
Page 97 and 98: 96. ALLEN What in the hell are you
Page 99 and 100: 98. DELAVINE (CONT’D) We have a r
Page 101 and 102: 100. PADDY What do you want? MULGRE
Page 103 and 104: 102. We follow her out... INT. LAND
Page 105: 104. INT. FLIGHT TO PARIS - DAY GER
Page 109 and 110: 108. GERRY (CONT’D) Everything we
Page 111 and 112: 110. PADDY’S head sags. Collette.
Page 113 and 114: 112. A telephone is on the desk bet
Page 115 and 116: 114. COLLETTE (CONT’D) Who did yo
Page 117 and 118: 116. INT. HOUSE OF COMMONS - DAY GE
Page 119 and 120: 118. EXT. STREET OUTSIDE THE HOUSE
Page 121 and 122: 120. EXT. HOUSE OF COMMONS - UNDERN
Page 123: 122. ON COLLETTE as she clings to h
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Shadow Dancer Screenplay - Raindance Film Festival

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