Shadow Dancer Screenplay - Raindance Film Festival

More documents

Recommendations

Info

41. PADDY Did you see that wanker Mulgrew? No. GERRY PADDY He’s been hassling Collette. GERRY He’s doing his job. PADDY Bollocks. He’s a leadership stooge trying to shit in your back-yard. GERRY He’s just sniffin’ around. PADDY Our sister. GERRY doesn’t look like he wants to get involved. GERRY He smoked out Gingy Hughes in Tyrone, so now he has a free hand up here. That’s the right call. It’s the way it has to be. PADDY You can be a naive bastard, d’ you know that? We’ve been telling them there’s a tout high up for years. So how come they decide now’s the time for another mole hunt? For a moment -- the briefest of heartbeats -- Gerry looks like he’s wondering why his brother is asking these questions. But the shadow passes. PADDY (CONT’D) They’re shitting their pants there’s gonna’ be a fight. And you’re the guy to lead it. So they’ll need a way to stitch you up. That’s what Mulgrew is here for. EXT. STREET - CAMDEN - DAY EDDIE MCILLHATTON approaches a second-hand book-shop...
42. INT. BOOK-SHOP - CAMDEN - CONTINUOUS. A frumpy middle-aged woman in reception nods at him, but he ignores her and plunges down the back stairs to a small basement. Standard lamps, photographs, the smell of glue...a forgers paradise. On a stool, MAX CAMPBELL; chain-smoking, fifties, half-German, half-Irish. He looks over his half-rimmed glasses. CAMPBELL Your Gerry’s man? MCILLHATTON I was told no names. CAMPBELL rolls his eyes. Kids. MCILLHATTON tips the stolen pass onto the table, along with photographs of GERRY and COLLETTE. CAMPBELL looks at them. CAMPBELL Good lookin’ bird. Who is she? MCILLHATTON You don’t need to know. CAMPBELL (shaking his head) Two days. And make sure you have the cash. You can remind our Gerry that I’m not a bloody charity. INT. COLLETTE’s HOME - EARLY MORNING. COLLETTE lies awake. Both MARK and CATHERINE are snuggled beside her, fast asleep. All is quiet. We hold it long. Too long. There’s a distant rumble, then... CRASH CUT TO: EXT. COLLETTE’S STREET - A SPLIT SECOND LATER The dawn calm is broken as a convoy of armored Land Rovers tears around the corner. Armed officers tip out. ALLEN and RYAN are behind them. They hang back as the uniforms sledgehammer COLLETTE’s front door...
Page 1 and 2: Shadow Dancer by Tom Bradby Based o
Page 3 and 4: 2. As we follow her down the hill,
Page 5 and 6: 4. COLLETTE moves to the toilet, lo
Page 7 and 8: 6. No answer. The cop flips open a
Page 9 and 10: 8. INT. OBSERVATION ROOM OUTSIDE TH
Page 11 and 12: 10. LONG Don’t play games, Gingy.
Page 13 and 14: 12. She looks furious. RYAN (CONT
Page 15 and 16: 14. No answer. RYAN (CONT’D) You
Page 17 and 18: 16. RYAN We haven’t lost an agent
Page 19 and 20: 18. He glances at a photograph of a
Page 21 and 22: 20. She nods. She stares out of the
Page 23 and 24: 22. BUCHANAN You’re not going to
Page 25 and 26: 24. MULGREW. Who signed you up, Gin
Page 27 and 28: 26. INT. A TRAIN APPROACHING BELFAS
Page 29 and 30: 28. INT. COLLETTE’S HOME - KITCHE
Page 31 and 32: 30. PADDY Aaagh! You little bugger.
Page 33 and 34: 32. COLLETTE kisses her daughter an
Page 35 and 36: 34. A soldier suddenly blocks her w
Page 37 and 38: 36. She breaks away, staggers. She
Page 39 and 40: 38. HEADTEACHER (CONT’D) I know t
Page 41: 40. MULGREW. We need to talk about
Page 45 and 46: 44. MARK What is it, Mam? COLLETTE
Page 47 and 48: 46. VOICE (O.S.) I’m Richard McIl
Page 49 and 50: 48. RYAN Of course. COLLETTE I don
Page 51 and 52: 50. INT. POLICE HEADQUARTERS IN BEL
Page 53 and 54: 52. A beat. ALLEN shrugs. RYAN (CON
Page 55 and 56: 54. Yes. COLLETTE The driver pulls
Page 57 and 58: 56. INT. HENDERSON’S HOUSE ON THE
Page 59 and 60: 58. EXT. STREET - CONTINUOUS. It al
Page 61 and 62: 60. INT. COLLETTE’S HOME - KITCHE
Page 63 and 64: 62. She glances up. She has no idea
Page 65 and 66: 64. INT. CAR - A FEW MINUTES LATER.
Page 67 and 68: 66. MULGREW. (CONT'D) Or did one of
Page 69 and 70: 68. INT. BELFAST’S ROYAL VICTORIA
Page 71 and 72: 70. INT. IRA CHIEF OF STAFF’S DAI
Page 73 and 74: 72. EXT. MILLTOWN CEMETERY - DAY A
Page 75 and 76: 74. We’re CLOSE again on Gerry. H
Page 77 and 78: 76. He stares at her. And he turns
Page 79 and 80: 78. GIRL Wolf Tone called. The pass
Page 81 and 82: 80. RYAN doesn’t answer. No point
Page 83 and 84: 82. ALLEN (CONT'D) Maybe that’s w
Page 85 and 86: 84. INT. COLLETTE’S HOME - LIVING
Page 87 and 88: 86. EXT. A SNOWY HILLTOP FIELD IN S
Page 89 and 90: 88. No answer. He stops the car. GE
Page 91 and 92: 90. A long silence. GERRY You want
Page 93 and 94:
92. COLLETTE (agitated) I’ve made
Page 95 and 96:
94. COLLETTE I don’t know... RYAN
Page 97 and 98:
96. ALLEN What in the hell are you
Page 99 and 100:
98. DELAVINE (CONT’D) We have a r
Page 101 and 102:
100. PADDY What do you want? MULGRE
Page 103 and 104:
102. We follow her out... INT. LAND
Page 105 and 106:
104. INT. FLIGHT TO PARIS - DAY GER
Page 107 and 108:
106. He takes out the pistol and pl
Page 109 and 110:
108. GERRY (CONT’D) Everything we
Page 111 and 112:
110. PADDY’S head sags. Collette.
Page 113 and 114:
112. A telephone is on the desk bet
Page 115 and 116:
114. COLLETTE (CONT’D) Who did yo
Page 117 and 118:
116. INT. HOUSE OF COMMONS - DAY GE
Page 119 and 120:
118. EXT. STREET OUTSIDE THE HOUSE
Page 121 and 122:
120. EXT. HOUSE OF COMMONS - UNDERN
Page 123:
122. ON COLLETTE as she clings to h
show all

Shadow Dancer Screenplay - Raindance Film Festival

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?